Stereophile Staff

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Stereophile Staff  |  Feb 01, 1998  |  0 comments
The Consumer Electronics Manufacturers Association (CEMA) announced on January 23 that total November audio sales bounced back modestly from an anemic October, but were still off by 1% for both the month and year to date. Total dollars for the first 11 months of 1997 stand at $7.2 billion, compared to $7.3 billion at this time in 1996. Nevertheless, spectacular sales of audio systems are singlehandedly offsetting the lackluster sales in all other areas.
Stereophile Staff  |  Feb 03, 1997  |  0 comments
When I first heard about "Records To Die For," I had to laugh. "Desert Island Discs," maybe, but Records To Die For? Laying down your life for a record? World-class hyperbole. Throw yourself on a sword for a glob of petrochemicals? Not me. If your house was burning down, would you a) grab your child, b) grab your photos and other irreplaceable items (cats, loved ones, etc.), or c) grab your records?
Stereophile Staff  |  Feb 07, 1998  |  0 comments
Death. It's something we all wonder about. Ever try to imagine your own? There you are, flinging yourself out of the trenches and over the top, clutching your blunderbuss and your copy of Alice Cooper's Killer. Or perhaps you wake up, the room's in flames, and you scurry about, choking, one arm around your cat, the other around your Leopold Stokowski boxed set. Or maybe you envision a mythic/gothic/celtic/druidic Bergmanesque kind of death—you, the leaden sky, your copy of Saxophone Colossus, and black-draped Death, all pasty and balding, leaning on its scythe with the same easy grace shown by members of the New Mexico Highway Department when they slump over their shovels.
Stereophile Staff  |  Feb 06, 1999  |  0 comments
One of the benefits of being music editor of Stereophile---after, of course, unimaginable wealth, unquestioned power, and hot and cold running editorial groupies---is that every year in February I get to write about death. That, and the rather odd personality traits of the Stereophile writing staff.
Stereophile Staff  |  Feb 21, 2000  |  0 comments
February 2000—We are now comfortably past all the millennial hype, which, by New Year's Eve, really had risen to a nauseating fever pitch. But it's hard not to look back to the times, the places, and, most of all, to the faces and personalities that populated the last hundred years.
Stereophile Staff  |  Feb 20, 2001  |  0 comments
Many years ago, I awoke one Saturday morning to find my girlfriend, with whom I'd had a knock-down, drag-out fight the night before, out on the street in front of our house having an impromptu yard sale. The sale featured my record collection. We broke up. I still have the records.
Stereophile Staff  |  Oct 20, 2002  |  0 comments
The release of our 2001 Recommended Components online last month was such a success, we now offer readers the opportunity to buy the 2002 "Recommended Components" from both the April and October issues as .pdf files.
Stereophile Staff  |  Jan 18, 2004  |  First Published: Feb 01, 2003  |  0 comments
Once upon a time, when I was a mere sprout in journalism school, there came the moment when everyone had to decide which sort of writing and/or editing he or she wanted to pursue in the workplace of the real world—a harsh reality that was then fast approaching. Most of my fellow students, who ranged in age from 23 to 62, chose one of two paths: murder or scandal.
Stereophile Staff  |  Jan 16, 2005  |  First Published: Feb 16, 2004  |  0 comments
It used to be that, when I sat down to write the introduction to Stereophile's ever-popular annual "Records To Die For" feature, it quickly became an exercise in racking my meager brain for jokes about "dying for" records. But being funny, in print or otherwise, is tremendously difficult. I'm sure Groucho had a much more apropos, not to mention funny, quip about the trials of being humorous—but, as with the aforementioned jokes, I can't seem to think of it right now.

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