Remember when the writing about music was as great as the music itself? Even when I violently disagreed with Bangs (his review of David Bromberg's first album, for instance), he wrote so hard and hot, I had to respect that it was his opinion and not just the music critics' party line. When he loved something, he conveyed what it was he loved better than just about anybody. (Except perhaps for Ian MacDonald, but that was the subject of a post yesterday.)