Kharmic Revelations

Given the firepower and reputation of a system comprised of the Kharma Midi Exquisite Mk.II speakers, MBL 1621a/1611e digital front-end, MBL 6010D preamp, MBL 9008a power amps (total cost $184,420), plus Kharma Enigma Cables ($8000/1st meter pair), I figured I had finally entered the right room in which to risk auditioning Ivan Fischer’s new recording of Mahler’s Symphony 2, the "Resurrection" (SACD, Channel Classics). Indeed, at the start of the glorious vocal section that ends the symphony, the MBLs' euphonic signature captured the violins with wonderful delicacy. Soprano, alto, and chorus too sounded wonderful, the soprano especially radiant. Given that the system’s sweetness was delivered with an enrapturing sense of air and depth, the sound swept me away. Gorgeous, simply gorgeous.

Expecting the presentation to become even more extraordinary as the symphony built, I requested volume that would approximate that heard in a prime orchestra seat in San Francisco’s Davies Symphony Hall. Yet, as the heavens began to part, an unexpected harshness crept in. High-end deliverance is harder to come by than one might think.

W.Buffett's picture

I like play music with my amazing mbl reference sound system so I think this system must sound nice

Andrew Chen's picture

Which component do you belive was the primary contributor to the harshness?