Monoblock power amplifiers seem to be moving in and out of my listening room faster than green-onion salsa from Chi-Chi's. Over the past six months I've had the <A HREF="http://www.stereophile.com/amplificationreviews/774">Parasound Halo JC-1</A>, the Halcro dm68, the <A HREF="http://www.stereophile.com/amplificationreviews/1103pass">Pass XA-160</A>, the <A HREF="http://www.stereophile.com/amplificationreviews/104mf">Musical Fidelity kW</A>, and now these 300W (into 8 ohms), $4500-each beauties from Theta Digital. All of these amps sounded as different as they looked, which was no surprise; too bad the "measures the same, sounds the same" dogmatists remain open for business.

Monoblock power amplifiers seem to be moving in and out of my listening room faster than green-onion salsa from Chi-Chi's. Over the past six months I've had the <A HREF="http://www.stereophile.com/amplificationreviews/774">Parasound Halo JC-1</A>, the Halcro dm68, the <A HREF="http://www.stereophile.com/amplificationreviews/1103pass">Pass XA-160</A>, the <A HREF="http://www.stereophile.com/amplificationreviews/104mf">Musical Fidelity kW</A>, and now these 300W (into 8 ohms), $4500-each beauties from Theta Digital. All of these amps sounded as different as they looked, which was no surprise; too bad the "measures the same, sounds the same" dogmatists remain open for business.

Monoblock power amplifiers seem to be moving in and out of my listening room faster than green-onion salsa from Chi-Chi's. Over the past six months I've had the <A HREF="http://www.stereophile.com/amplificationreviews/774">Parasound Halo JC-1</A>, the Halcro dm68, the <A HREF="http://www.stereophile.com/amplificationreviews/1103pass">Pass XA-160</A>, the <A HREF="http://www.stereophile.com/amplificationreviews/104mf">Musical Fidelity kW</A>, and now these 300W (into 8 ohms), $4500-each beauties from Theta Digital. All of these amps sounded as different as they looked, which was no surprise; too bad the "measures the same, sounds the same" dogmatists remain open for business.

Monoblock power amplifiers seem to be moving in and out of my listening room faster than green-onion salsa from Chi-Chi's. Over the past six months I've had the <A HREF="http://www.stereophile.com/amplificationreviews/774">Parasound Halo JC-1</A>, the Halcro dm68, the <A HREF="http://www.stereophile.com/amplificationreviews/1103pass">Pass XA-160</A>, the <A HREF="http://www.stereophile.com/amplificationreviews/104mf">Musical Fidelity kW</A>, and now these 300W (into 8 ohms), $4500-each beauties from Theta Digital. All of these amps sounded as different as they looked, which was no surprise; too bad the "measures the same, sounds the same" dogmatists remain open for business.

Starbucks is taking its signature compilation CDs to the next level&mdash;the personal one.

<A HREF="http://www.towerrecords.com">Tower Records</A> should be back in fighting form on Monday, March 15 when a Delaware bankruptcy court rules on the company's reorganization plans.

From the March 2004 issue, John Atkinson finally gets to listen to the <A HREF="http://www.stereophile.com/loudspeakerreviews/304sonus">Sonus Faber Cremona loudspeaker</A> and explains, "it took rather longer than I had expected to set the Cremonas up in my listening room. But, like everything worth experiencing, the wait was worth it."

Audiophiles interested in experimenting with upconverting the digital data on their CDs to higher resolutions will find a recent announcement from the Netherlands of interest. Dutch company <A HREF="http://www.eximius.nl">Eximius</A&gt; revealed last week a new product tagged "DVD+Audio Creator" for converting CDs to either upsampled PCM or compressed MP2 files.

<B>IRON AND WINE: <I>Our Endless Numbered Days</I></B><BR>
Sub Pop 630 (CD). 2004. Sam Beam, Brian Deck, prods., engs. AAD? TT: 44:49<BR>
Performance <B>****</B><BR>
Sonics <B>****</B>