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Sun, 11/21/2010

Stereophile covers everything high-end and audiophile audio. Turntables and music servers, to solid-state and tube amplifiers and preamps, to loudspeakers.

Notice

The Dealers' Open House is a section where dealers can post product news and announcements. We ask that dealers do not use this space as free advertising. The forum is not intended to support the buying or selling of goods or services, and those dealers looking to advertise their products or services should contact our publisher, Keith Pray, listed in the masthead of our magazine.

Notice

The Manufacturers' Showcase is a section where manufacturers can post product news and announcements. We ask that manufacturers do not use this space as free advertising. The forum is not intended to support the buying or selling of goods or services, and those manufacturers looking to advertise their products should contact our publisher, Keith Pray, as listed in the masthead of our magazine.

Silent Voices

Silent Voices (New Amsterdam Records) comes from the Grammy Award-winning Brooklyn Youth Chorus. The recording, from young forces who have performed with everyone from the New Philharmonic and Mariinsky Orchestra to Barbara Streisand and Elton John, showcases works composed for their ongoing multimedia, multi-composer concert series, Silent Voices. Some of these works, which have already been heard at the Brooklyn Academy of Music, National Sawdust, and other prestigious venues, are sure to find their way into the songbooks of many a professional and student organization.
Fri, 11/16/2018

Rotel RC-850 preamplifier Postlude

Thu, 11/15/2018

Rotel RC-850 preamplifier Specifications

Thu, 11/15/2018

Rotel RC-850 preamplifier Measurements

Thu, 11/15/2018

Rotel RC-850 preamplifier Review System

Thu, 11/15/2018

Rotel RC-850 preamplifier

A few issues back, in my review of the Mark Levinson No.26 and No.20 (May 1988, Vol.11 No.5), I mused on the fact that the preamplifier, being the heart of a system, had a more significant effect on sound quality in the long term than, say, the loudspeakers. It was worth spending more on a preamplifier, therefore, than on loudspeakers. Needless to say, this viewpoint was regarded by many readers as dangerously heretical. I decided, therefore, to investigate the sonic possibilities of budget-priced preamps in this issue, even the most expensive being less than one-tenth the price of the Mark Levinson.
Thu, 12/01/1988

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