LATEST ADDITIONS

Wes Phillips  |  Oct 21, 1997  |  0 comments
Stereophile Editor John Atkinson walked into our office brandishing a CD (footnote 1). "Guess what Ken Kantor did? He took a year off from running NHT (footnote 2) to make this disc."
Michael Fremer  |  Oct 17, 1997  |  0 comments
Prejudice is bad—whether it's directed at people, places, or things. You know how it goes: digital is "bright," analog is "warm," solid-state is "brittle and etched," tubes are "smooth and soft" dynamic drivers are "low-resolution," electrostats and planars are "high-resolution" copper wire is "smooth," silver is "bright," etc. While putting everything that crosses your path into one box or another makes life simpler and seemingly more organized, the truth, musical or otherwise, usually gets mutilated in the process. Not that we all don't have preferences—but those are not the same as prejudices.
Wes Phillips  |  Oct 07, 1997  |  First Published: Oct 07, 1996  |  0 comments
About a decade ago, I read in Stereophile about the SRC, an add-on remote-control unit manufactured by Acoustic Research. I bought one the next day ('swhat happens when you work across the street from a hi-fi shop). Suddenly I was able to make incremental changes in volume and balance from my listening position—and let me tell you that that's the way to do it. What a phenomenal difference in realistic dynamics and soundstaging.
Robert Baird  |  Oct 04, 1997  |  0 comments
The Delevantes: Postcards from Along the Way
Capitol 8 56179 2 (CD). 1997. Gary Tallent, prod.; The Delevantes, Mike Porter, assoc. prods.; Mike Clute, Peter Miskinis, engs. AAD? TT: 43:34
Performance ****½
Sonics ****½
Wes Phillips  |  Oct 04, 1997  |  0 comments
Bill Eggleston builds speakers because his father did. "My dad always told me that when he started, the only way you could get really good speakers was to build them yourself. We always had drivers and parts around, and I just began building my own so early I can't even remember. Much more important, my father passed on his wide-ranging approach to music. He listened to everything, and he taught me to be open-minded about music."
John Atkinson  |  Sep 19, 1997  |  First Published: Sep 19, 1993  |  0 comments
"To be an influence in any society...one can be a little different, but only a little; a little above one's neighbours, but not too much."---C.P. Snow, The Masters, 1951
Dan Buckley  |  Sep 11, 1997  |  0 comments
Steve Reich: Works 1965-1995
Double Edge, Bang On a Can, Kronos Quartet, Steve Reich and Musicians, Pat Metheny, Schönberg Ensemble with Percussion Group The Hague, London Symphony Orchestra, The Steve Reich Ensemble, etc. Judith Sherman, Rudolph Werner and Steve Reich, prod. Paul Goodman, Dick Lewzey, John Kilgore, Rob Eaton, Les Brockman, Simon Rhodes, and Hans Bedecker, eng. DDD. TT: 10:42:06.
Performance ****
Sonics ****
Robert Baird  |  Aug 25, 1997  |  0 comments
JOHN COLTRANE: Lush Life
DCC GZS-1108 (CD). 1997. Bob Weinstock, prod.; Rudy Van Gelder, eng.; Steve Hoffman, reissue prod. AAD? TT: 36:39
Performance ****
Sonics *****
Wes Phillips  |  Aug 04, 1997  |  0 comments
This morning, John Atkinson passed along to me an e-mail he received from one of our most attentive correspondents—a reviewer, in fact, for an erstwhile competitor. We know that this particular writer ranks among our closest readers because an issue seldom comes out but that he writes an analysis of it, including, and down to, what he considers our excessive political correctness in choice of pronouns.
Peter W. Mitchell  |  Jul 29, 1997  |  First Published: Jul 29, 1993  |  1 comments
What is the angular separation of your loudspeakers as viewed from your favorite chair? Whatever your answer, it's wrong. Of course I don't mean that it's a factually incorrect answer, just that any single value of subtended angle cannot be ideal for all recordings.

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