LATEST ADDITIONS

Jon Iverson  |  Nov 30, 1997  |  0 comments
Welcome to the official Stereophile website!
Jon Iverson  |  Nov 30, 1997  |  0 comments
Digital audio took another lurch forward at Comdex '97 with the display of Yamaha's FireWire-to-PCM converter technology.
Barry Willis  |  Nov 30, 1997  |  0 comments
It won't be long before the Net-connected music lover will be able to sample and hold the tunes of his choice without having to visit Tower Records. High-speed transmission, high-density storage, and CD-quality music online---the three parts of the downloading puzzle---all fell into place the week of November 10.
Jon Iverson  |  Nov 30, 1997  |  0 comments
When I first attended Comdex several years back, it was easy to feel like a fish out of water. My core interests were always high-end audio---and the computer biz at the time would get excited about anything that sounded as good as a telephone. But I was still curious about what all the brainiacs were up to.
Stereophile  |  Nov 30, 1997  |  237 comments

DVD audio standards are still up in the air, but promise (hopefully) to come down soon. For our inaugural question, we want to know what you prefer: fewer channels and longer playing times, or multichannel high-quality sound with shorter playing times.

How many channels and what formats do you want to see on DVD Audio discs?
2 channels: 16bit/44kHz
2% (8 votes)
2 channels: 24bit/96kHz
40% (204 votes)
5.1channels: 16bit/44kHz
1% (5 votes)
5.1 channels: 24bit/96kHz
26% (133 votes)
5.1 channels: Dolby Digital (AC-3)
7% (35 votes)
5.1 channels: DTS
6% (31 votes)
Mix of Formats
11% (58 votes)
Open Standards
6% (31 votes)
Don't Care
1% (6 votes)
Total votes: 511
John Atkinson  |  Nov 29, 1997  |  0 comments
"Comping," they call it at Madrigal. Once a circuit and its board layout have been finalized, passive components are substituted one by one in an exhaustive series of listening tests to determine the places where use of a premium part, or one of closer tolerances, results in an audible benefit. This fine-tuning process cannot be open-ended, however, as products do have to shipped. So what happens when new parts become available, or new manufacturing processes allow a better-sounding part to be used without financial penalty?
Keith Yates  |  Nov 27, 1997  |  First Published: Nov 27, 1988  |  0 comments
Five or six years ago I wrote a breezy, introductory-type piece on mid-fi "knob-surfing," winding up with a reprise on the old line that the number of the knobs, lights, and tattoos on the faceplate is often inversely proportional to the quality behind them.
Wes Phillips  |  Nov 26, 1997  |  0 comments
My next-door neighbor bought a late-'70s Porsche 924 last week, and I'm really glad he did. For one thing, it adds a little class to the 'hood—my 1984 Grand Wagoneer's peeling "wood paneling" is far more typical of the vehicles in my part of town. And Eric is just so obviously thrilled to own a piece of the legend—a real Teutonic driving machine.
Les Berkley  |  Nov 26, 1997  |  0 comments
HILDEGARD VON BINGEN: 11,000 Virgins
Anonymous 4
Harmonia Mundi HM 907200 (CD). 1997. Robina G. Young, prod.; Brad Michel, eng. DDD. TT: 72:07
Performance ****½
Sonics *****
Shannon Dickson  |  Nov 25, 1997  |  1 comments
Audio Artistry's Beethoven is the banner model of the company's Composer series (footnote 1), which includes the entry-level Vivaldi as well as the Dvorak I reviewed in the April 1996 Stereophile (Vol.19 No.4, p.204). Like the Dvorak, the Beethoven is a four-piece, bi-amplified, dynamic dipole design; unlike the Dvorak, the Beethoven has been taken to the nth degree of refinement.

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