On May 5, Joel Davis, founder and CEO of JD Events (JDE), the company that mounts the annual AXPONA—Audio Expo North America—proposed a “rollover plan” settlement for companies that had committed funds to the canceled 2020 show, which had been scheduled for April, postponed until August, and then, finally, canceled. The plan attempts to “right the ship in the midst of this pandemic storm” and to demonstrate the company's “long-term commitment” to continuing to serve the audio industry. Many exhibitors were unhappy that, in canceling the show, did not offer refunds of funds already committed to the show by exhibitors and sponsors.
In a 2014 profile in the New Yorker, Paul Elie, author of the book Reinventing Bach, wrote, "There it was again: the stinging treble, the spooky overtones, the strings snapping and booming under his handsthe sound of a Tele being played as skillfully and exuberantly as it can be played."
One of the joys of reviewing audio reproduction equipment is discovering a little-known product that provides an extraordinary level of performance and musical satisfaction at an affordable price. These components, sometimes made in a garage, reflect the designer's single-minded zeal for musical accuracy, not the sometime corporate mentality of meeting a price point or catering to the latest fad.
Classé Audio's DR-3 once again brings to the fore the issues of class-A vs class-AB, weighty vs small and efficient, and brute-force expensive vs clever and inexpensive.
A well-worn, if unproven, audiophile rule of thumb says that a small, quick amplifier will sound better than a very powerful one. Among low-powered amps, those that operate in "pure" class-A are thought to be sonically superior. Pure class-A means the amplifier must run a constant high bias (more than one ampere), so the output devices never turn off.
Specific Live Streams (Scroll down for ongoing series):
Thursday, May 7 10pm EDT: The Noe Music Listening Club features composer Jake Heggie discussing and performing his music and that of his music heroes. Sign up here.
May 6 Saariaho’s L’Amour de Loin
May 7 Strauss’s Capriccio
May 8 Puccini’s La Bohème
May 9 The Opera House
May 10 Mascagni’s Cavalleria Rusticana / Leoncavallo’s Pagliacci.
Editor's note: On May 5 around 2:40pm, JD Events sent a letter to 2020 AXPONA exhibitors and sponsors outlining a plan to apply 100% of 2020 exhibitor payments to future shows, with 50% credited to the 2021 show and 25% to each of the two subsequent shows.
See below for the original story published 30 April.
I was all set to give up on moving magnets until the new Shure VI5-VMR (MR stands for Micro-Ridge stylus) arrived. In a word, it's terrific. I was slightly disappointed with the original V15-V: I just didn't think it was a significant improvement over the Type IV. What I missed was fine detailespecially in the high frequencies and during heavily modulated passages. The original V was not quite up to the sound of certain moving coils. Which is not to say the original V was a bad buy: moving coils cost twice the price and you need a stepup. I could recommend the original V without hesitation.
I am a Sharpener. I can acknowledge being a Sharpenersomeone who, as explained by Stereophile reviewer/psychology professor Robert Deutsch in our March 2009 issue, tends to look for and exaggerate differenceswithout feeling a need to enter a 12-step program or confess to a crime. That's because there's nothing wrong with being a Sharpener.
I was well over 50 when I first heard an original copy of Charlie Parker's "Ko-Ko." It was a happy accident. I received a call from the family of a well-to-do neighbor who had recently passed away, asking if I'd be interested in having his record collection. Three minutes later, I was parked near the servants' entrance of their centuries-old brick mansionhow quickly we forget our proletariat resentment when there's vinyl to be hadloading a few cartons of LPs and 78s into my car.
I hope you can tell how grateful I am to be writing a column every month. A column makes me feel like a reporter or raconteur, both of which I aspire to become. In a column, I can be more me. I can evolve, think out loud, and speculate, right in front of you. I can pass on crazy stories from a lifetime of audio. When I write about products in a Dream, I try not to form it as a review, per se, but rather as an informal chronicle of discovery.