LATEST ADDITIONS

Herb Reichert | Jan 02, 2024 | 11 comments

Recently I've been thinking a lot about the late Art Dudley and how Art worked humbly and relentlessly to get me to appreciate contemporary bluegrass, especially the work of renowned flat-picker Tony Rice. Back then, my contempt for contemporary bluegrass was equal to my contempt for contemporary country. Both seemed faux and shallow.

Budget Component Reviews Floor Loudspeaker Reviews

Q Acoustics 5040 loudspeaker

John Atkinson | Dec 29, 2023 | 126 comments

When I reviewed the Concept 50 loudspeaker from the UK's Q Acoustics in August 2022, I concluded that the Concept 50 lowers the sweet price spot for affordable tower speakers to $3000/pair. Now I have another pair of Q Acoustics loudspeakers in the house for review. Like the earlier speaker, the 5040 is a slim, elegant-looking tower with a vertical D'Appolito drive-unit array comprising a 0.9" fabric-dome tweeter positioned between the two 5" plastic-cone woofers. But the price is half that of the Concept 50: $1499/pair. Will this be a new sweet spot? We shall see.

Gramophone Dreams Phono Preamp Reviews

Gramophone Dreams #80: Mobile Fidelity Electronics MasterPhono

Herb Reichert | Dec 28, 2023 | 8 comments

During my cub reporter days at Stereophile, I was always on the lookout, casting about for midlevel analog components I might latch on to, ones that could join my long-term daily-driver reference system by complementing the character of my midlevel DeVore Fidelity Orangutan O/93 and Falcon LS3/5a loudspeakers. I was searching for these basic traits: alive and vigorous, clear and well-sorted, relaxed and natural. One of my first-ever Stereophile reviews, in the October 2014 issue, was of Sentec's EQ11 phono preamplifier, which featured six EQ choices, selectable from the front panel, Bakelite knobs, Switchcraft switches, and a gray Hammerite-paint finish.

When I reviewed the Sentec, I owned three turntables and about 300 records. But phono stage–wise, I was a beggar and a borrower, hoping a friend's phono pre or some review product would jump out of the deck and become my reference.

Re-Tales

Re-Tales #38: Supply Chains—Keeping It Local

Julie Mullins | Dec 27, 2023 | 5 comments

McIntosh CEO Charlie Randall, pictured outside the company's Binghamton factory in 2006. (Photo: John Atkinson)

To remain profitable, many hi-fi companies have outsourced production to faraway countries with lower labor costs. That, certainly, is a legitimate way of doing business. Yet many other hi-fi makers have chosen to work with suppliers that are local, regional, or at least domestic. There are good reasons for doing so, those manufacturers maintain.

Some of the advantages are obvious. Local labor may cost more, but shipping what they make is much cheaper.

Aural Robert

The Replacements' Tim: Let It Bleed Edition

Robert Baird | Dec 26, 2023 | 1 comments

Having just finished this review of The Replacements' Tim: Let It Bleed Edition, I thought I'd glance at a couple of online forums to see what the collective verdict was on the sound quality of the set's main attraction: a remix of the album by Ramones engineer Ed Stasium. At Steve Hoffman's forums, I saw this in one of the first posts: "It sounded like I expected Tim to sound when it came out in the fall of 1985. I've also listened to the newly remastered original album that comes with the set, and while it sounds good and I'm glad to have it, it pales compared to the 2023 Stasium mix." Ticking down a post or two, exuberance gushed forth: "Well, IMO the [Stasium] version of Tim may be the greatest rock record of all time."

Budget Component Reviews Integrated Amp Reviews

Leak Stereo 230 integrated amplifier

Robert Schryer | Dec 22, 2023 | 70 comments

Sometimes I think expensive components—I'll let you decide what constitutes expensive—should come with a big red sticker on the box that reads "WARNING! This product will probably not meet your expectations!" That's because when you spend a lot of money on something, you expect that something to have no flaws and to sound nigh perfect. Why else would you have paid so much? As you gaze at it, touch it, and listen to it, it constantly reassures you that you made the right decision by picking it over all the other, less pricey candidates. It has to be unambiguously better than any component of its nature that has passed through your system, or else, what was the point in all that upgrading?

Prior to this review, I had expectations about the product under review, the Leak Stereo 230 ($1695 with the walnut enclosure), based on, among other factors, price.

Brilliant Corners Phono Preamp Reviews

Brilliant Corners #10: Tron Electric Convergence Signature & PrimaLuna EVO 100 phono stages

Alex Halberstadt | Dec 21, 2023 | 3 comments

"The phonograph record is an art form itself," Lester Koenig wrote in March 1959, "and one of its advantages is the performance that exists uniquely of, by and for the record." Remarkably, when Koenig included this pronouncement in his liner notes to Sonny Rollins and the Contemporary Leaders, the 12" long-play record had been the dominant carrier of recorded music for less than a decade, and stereo discs had been mass-produced for just over a year.

For Koenig, this issue wasn't merely academic. Before making his name as head of Contemporary Records in Los Angeles, he had attended Yale Law School, worked as a screenwriter and producer at Paramount, and gotten blacklisted by the House Committee on Un-American Activities. At Contemporary, he set out to become a leading practitioner of the art of phonography.

Digital Processor Reviews

Merging Hapi MkII multichannel digital processor

Kalman Rubinson | Dec 20, 2023 | 45 comments

I've been running a 5.1 system for years. Recently, I expanded it to 5.3 with the addition of two more subwoofers. This system is manageable with one of my eight-channel DACs.

Even more recently, I dipped my toe into Dolby Atmos, which made it necessary to lash up at least four more channels. That was a big problem, since neither JRiver nor Roon can support and sync more than one output device at a time, and the multichannel DACs I already owned tap out at eight channels.

I turned to the Arvus H2-4D Renderer, which offers 16 channels of digital output over AES3 and 16 channels of balanced-analog output. This worked, but piping everything through the Arvus meant forswearing DSP, including DiracLive. I really needed a DAC with at least 12 channels.

The Merging+Hapi has been around for years...

Music and Recording Features

Santa's–Sorry, Sasha's–Christmas Playlist

Sasha Matson | Dec 19, 2023 | 8 comments

In my house, I have a little stack of CDs that I bring out once a year—for Christmas Eve and Christmas day. I then put them away on the shelf until the following year. This annual Festival of Christmas Albums is met with varying degrees of pleasure and resignation by the family members present; listening is non-negotiable, though we may not make it through all of them. Once in a while a new Christmas album will make the cut and be added to the stack, but not every year.

News

Audio Video 2023, aka "The Warsaw Show"

Jason Victor Serinus | Dec 18, 2023 | 2 comments

The Warsaw show's biggest site really is a stadium. (Photos by Jason Victor Serinus.)

At the risk of writing hyperbole, I will state that Audio Video 2023, held October 27–29, 2023, was unlike any other audio show I've attended. At no other audio show have I encountered so many young people, so many women, and so many brands unknown in the United States. Not even in Munich have I encountered crowds as dense as those that mobbed the show's biggest site, the National Stadium of Poland, PGE Narodowy, on Saturday. A press badge counts for nothing when you're 11" short of 6'3", attempting to see far enough into a huge room to spy a seat. Any seat.

Happily, the majority of attendees at the Warsaw Show did not come to yap away about the stock market or the speaker they built three decades ago. People came to listen, and they respected others who came to listen. Even in the largest rooms, with crowds of some 150 people, it was possible to hear music and learn from presenters' unamplified raps.

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