LATEST ADDITIONS

Capital Audiofest has canceled its 2020 show, previously scheduled for October 30 through November 1, and announced dates for 2021.

Today is March 22, 2020. Outside my door, the plague is gaining intensity. People are wearing masks and rubber gloves. But outside the window by my desk, there is a Callery pear tree, and every day its blossoms are becoming more intensely white. Each day its brightness (measured in units of luminous flux) increases noticeably. The optical radiance of its zillion-petal whiteness illuminates the whole garden.

New Orleans, Louisiana — As I write this, my city is locked down. To make sure of it, the National Guard is encamped in Louis Armstrong Park, site of Congo Square, where in former times enslaved Americans gathered to dance and play music, and tourists gathered to watch them. People still gather there when the city is not locked down; they gather at other places, too. No one's gathering now.

I've been wrestling with my elders about new ways to measure loudspeakers, lobbying for methods that might correlate more directly with a listener's experience. And wouldn't you know? Right in the middle of this Socratic dialogue, I put the fresh-from-UPS, $1000/pair, Tannoy Revolution XT 6s into my reference system, plunking them down on my 24" Sound Anchor Reference stands in the same spot my Harbeth P3ESRs had been sitting. And I freaked! I was using the Rogue RP-7 preamp and the Rogue Stereo 100 (100Wpc) amplifier, and I could never adequately describe how bad the shiny white Tannoys sounded. Imagine sound that's thin, metallic, herky-jerky, dull, and rolled off completely below about 90Hz.