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Even though I knew what to expect, I was still a bit overwhelmed when I walked into the Triangle Art room at PAF 2023. Their products aren't bashful. They practically scream engineering and display a build quality and attention that Ferrari would envy. If MOMA wants an exemplar of industrial art, they need look no further. I wanted to go over each and every one with a fine-toothed comb but—I was on a mission. My plan was to focus on the three turntable models that were being played, sort out their similarities and differences, and determine the extent to which the differences were reflected in the tables' performance.

Spatial Audio Lab may have considered its main suite on the 13th floor of the hotel's tower, but its second exhibit in room 2210 offered plenty to love. I was taken in by the wonderful clarity, excellent depth, and openness delivered by Spatial's Q6 prototype open-baffle loudspeakers ($4995/pair and expected in August). Infected Mushroom's "Avratz" was a knockout.

Visiting Chuck Miller's Millercarbon room at PAF gave me the opportunity to check in on Townshend Audio, a quirky British manufacturer of audio gear best known for its well-engineered and very effective isolation products. I've always respected the engineering that went into the development, and liked their "luxurious execution meets form follows function" aesthetic. I've always smiled too, at their straightforward, almost simplistic approach to marketing, one that assumes customers will use logic and common sense to make purchase decisions. The Townshend products in use included $2650/pair Seismic Podiums under the speakers, a $795 Seismic Platform under the amps, and several Seismic Pods at $150/each.

Entering Klaus Bunge's intentionally low-lit Odyssey room was like entering another dimension. Showgoers may have had no idea what the purpose of the room was—even I couldn't discern it from the display—but they could not possibly have been less than fascinated.