LATEST ADDITIONS

Herb Reichert  |  Jul 30, 2019  |  3 comments
We were playing some old, cherished black discs when my partner, bb (the 6'-tall Aries artist), declared, "With records you hear touch, and you are not alone." Long pause. "Just holding the cover brings back memories—that's their humanity."
Jason Victor Serinus  |  Jul 26, 2019  |  0 comments
Czech composer Leoš Janáček was already in his 60s and married when, in 1917, he fell hopelessly in love with Kamila Stösslová, a married woman 38 years his junior. Although it wasn’t the first time that Janáček had fallen in love with an “unobtainable,” his passion for Kamila was all-consuming. During the final 11 years of his life, while he lived under the same roof with a wife whom he had informally divorced, he sent Stösslová almost 730 letters and was inspired by his love for her to compose many of his greatest works.
Art Dudley  |  Jul 25, 2019  |  5 comments
Products come and go. Some impress more than others, and in our little world, the ones that impress the most wind up in Class A of our semiannual "Recommended Components" feature.

After a product makes it to that list, if Stereophile's reviewers go more than a few years without hearing it again—in a home system or a dealer's showroom or even at an audio show—that product falls off the list, usually quietly. Thus, if a reviewer is maximally knocked out by a piece of playback gear, yet the fates allow neither a purchase nor an extended loan, he or she or someone else on staff must endeavor to borrow it again so it can stay recommended.

Kalman Rubinson  |  Jul 25, 2019  |  49 comments
At first glance, this active, DSP-controlled loudspeaker system, with dynamic drivers firing to front and rear, may seem an alien invader from the world of recording and mastering monitors made by such brands as Neumann and Genelec. I wouldn't dispute that perception, but I offer another perspective: The engineering that has gone into the Dutch & Dutch 8c ($12,500/pair) is an all-out attempt to meet the goals that all designers of high-end speakers hope to attain: wide, smooth frequency response; sufficient and linear dynamic performance; crossover management; a cabinet free of audible resonances and edge diffraction; control of the dispersion of sound energy throughout the audioband.
Jason Victor Serinus  |  Jul 23, 2019  |  35 comments
I love listening to new audio products and discovering how they make me feel. I do my best to open my mind, ears, and pores, to trust the process and see where it leads me. Ultimately, for all the words and analogies I or any reviewer may conjure up, what we do isn't very different from a dog sniffing out a new patch of grass or an insect sending out its antennae to determine what's what.

In all cases, the spirit and care with which we approach new territory helps inform our conclusions.

Robert Schryer  |  Jul 23, 2019  |  31 comments
Dear Newbie: Welcome to the wonderful world of hi-fi! If you're besotted with a desire for audio gear that can make your recorded music sound better than you've ever heard it, you've come to the right place.

And at just the right time: Not only is there an unprecedented amount of sanely priced, excellent-sounding audio gear on the market; there's this thing happening between us right here and now—the fact that you're reading a letter I wrote especially for you.

Herb Reichert  |  Jul 18, 2019  |  28 comments
A visitor to stereophile.com named billmilosz commented: "Compared to these, everything else sounded like it was coming out of a cereal box." When I read that, I laughed out loud.

That reader was responding to my AXPONA report about Magnepan's new $650/pair Little Ribbon Speaker (LRS)—which I presume he also heard at the show.

Jason Victor Serinus  |  Jul 18, 2019  |  5 comments
Henry Brant: Ice Field
Cameron Carpenter, organ, San Francisco Symphony, Michael Tilson Thomas, Edwin Outwater, Conds.
SFS Media SFS 0075 (24/48 WAV). 2019. Jack Vad, prod, and eng.; Roni Jules, Gus Pollek, Jonathan Stevens, Denise Woodward, supporting engs.; Jack Vad, Mark Willsher, John Loose, Atmos post-prod. DDD. TT: 24.31
Performance *****
Sonics *****

Even though Henry Brant's mind-boggling Ice Field for orchestra and organ won the Pulitzer Prize for Music in 2002—the year after its premiere—and years later was revisited by the San Francisco Symphony, for which it was commissioned, no recording format has succeeded at capturing its musical and spatial wonders. Until now.

Jim Austin  |  Jul 16, 2019  |  2 comments
By the time you read this, Munich's High End 2019 will be a distant memory. Yet as I write this, having just returned from Munich, the experience is fresh in my mind. It's the most compelling audio topic I can think of, crying out for commentary.

Munich is to audiophiles—to this one at least—what New York's 5th Avenue is to Black Friday shoppers. It's the audiophile version of flying through a canyon with a wing suit on. It's a giant rush, audio cocaine.

Ken Micallef  |  Jul 16, 2019  |  41 comments
I'm fortunate to have reviewed in recent years not one but three different pairs of horn-loaded loudspeakers. My jaw dropped when I reviewed what would prove the finest loudspeaker to ever grace my home, the Volti Audio Rival. Second came a pricey but pleasing pair from handlebar-mustache king Gordon Burwell, the Burwell & Sons Homage. Then, at the urging of occasional Stereophile contributor Steve Guttenberg, I took on the fat-boy Klipsch Heresy III. As the Beatles used to say, I was dead-chuffed.

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