LATEST ADDITIONS

Capital AudioFest 2019
ModWright Ambrose Ai325 Integrated Amplifier, PH9.0 Phono Pre, and modified Pioneer CD Player, Fern & Roby Tredegar Turntable (Schroeder Tonearm, Soundsmith Cartridge) and Raven Loudspeakers, Stereolab/Black Cat Cabling
Herb Reichert  |  Nov 06, 2019  |  10 comments
As a reviewer, I’ve been waiting to see a ModWright product that just jumped out of the deck and said, “Herb! Review me.”
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Capital AudioFest 2019
The American Sound Rooms: Wadax Electronics, Avantgarde Loudspeakers, Transparent Cabling
Herb Reichert  |  Nov 06, 2019  |  0 comments
American Sound distribution presented three rooms featuring Avantgarde horn loudspeakers, and, in the two rooms I visited, Wadax digital products.
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Capital AudioFest 2019
Cube Audio Mini Nenuphar Loudspeakers, EMIA Audio Electronics, TW Acoustic Raven GT Turntable with Schroeder Reference SQ and Schick Tonearms and Soundsmith Sussurro and Ortofon SPU Royal N Cartridges
Herb Reichert  |  Nov 06, 2019  |  2 comments
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Capital AudioFest 2019
Tekton Moab, McGary Audio SA-2 Integrated Amplifier, Exogal Comet DAC and Ion Power DAC, Anticables
Herb Reichert  |  Nov 06, 2019  |  8 comments
I like speakers with dark wood finishes. My friend Sphere loves speakers painted red. My partner “bb” prefers blue ones that match her room. Tekton Design makes speakers in these and many other colors and finishes. Tekton speakers, though, also have many tweeters, which gives them a distinctive look.
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Capital AudioFest 2019
Legacy Audio Studio HD Loudspeakers, Rogue Audio Sphinx v3 amplifier, NAD C658 network player/preamp/DAC
Herb Reichert  |  Nov 06, 2019  |  First Published: Nov 04, 2019  |  3 comments
It pleases me beyond words when modestly priced audio components overperform immodestly.
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Capital AudioFest 2019
Joseph Audio Loudspeakers, Unison Research DAC and Amplification, Balanced Audio Technology Phono Stage, Feickert Turntable, Schick Tonearm, My Sonic Lab Cartridge
Ken Micallef  |  Nov 05, 2019  |  14 comments
On the last day of the show, loudspeaker designer Jeff Joseph showed no signs of slowing down. Remote in hand, he bounced around his room like the proverbial battery bunny, welcoming attendees, switching his rig between analog and digital playback, and generally smiling his way through it all.
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Capital AudioFest 2019
MC Audiotech Forty-10 Loudspeakers, VPI HW-40 Turntable, Luminous Audio Arion Phono Preamp, Pass Labs XP22 preamp, Wolf Audio Alpha 3 Music Server, PS Audio DirectStream DAC, Parasound A23 Amplifier, Symposium Foundation Rack
Herb Reichert  |  Nov 05, 2019  |  First Published: Nov 04, 2019  |  13 comments
Two friends whose taste and hearing I respect—and who visited every room at this show—told me they thought the $35K/pair MC Audiotech Forty-10 loudspeakers made the best sound at CAF. No question, these almost five-feet tall decorator-friendly midcentury-modern-looking beauties sounded even better they look, and they look very nice.
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Capital AudioFest 2019
Genesis Maestro Loudspeakers, Merrill Audio Christine Linestage and Element 116 Monoblocks, EMM Labs DAC2x, Genesis Racks, Cables, and Power Cords
Herb Reichert  |  Nov 05, 2019  |  5 comments
Do you know why New Yorkers are always depressed? Because the light at the end of the tunnel is New Jersey.
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Capital AudioFest 2019
Triangle Signature Delta Loudspeakers, Tsakiridis Orpheus Monoblock Amplifiers, Alexander Line Stage, and Zeuss Phono Preamp, Soulines Kubrick DCX turntable with SME Tonearm, Cabling by Analysis Plus
Herb Reichert  |  Nov 05, 2019  |  2 comments
Every time I encounter a system with Triangle speakers, I stop and take serious notice of their refined but lively sound. As I did Sunday in the room sponsored by The Antal Audio Group.
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Capital AudioFest 2019
Luminous Audio and the Pure Audio Project
Herb Reichert  |  Nov 04, 2019  |  12 comments
I mentioned earlier how uncolored, detailed, transparent, and image-specific an open baffle loudspeaker can sound. Unfortunately, not all open baffle speakers are created equal, and making a coherent and musically satisfying open-baffle speaker is much more complex than just bolting a few drivers to a sheet of plywood. The question any loudspeaker designer must ask is, how far should I go? When is done right?
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