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Art Dudley | Oct 25, 2018 | 18 comments

I've never aspired to owning a BMW 7-series, or a Martin D-45, or a Rolex Submariner: BMW's far less expensive 3-series models capture my imagination by bordering on the affordable, likewise Martin's D-18—and as long as I live, I'll never understand the appeal of expensive wristwatches. Bling's not my thing.

True to form, when I visited the Mytek display at High End 2018, in Munich, my attention was drawn to the brand-new Mytek Liberty DAC and its three-figure price: for $995, one could now own the equivalent of the original Mytek Brooklyn D/A processor, without that model's phono preamp—this according to the company's Adam Bielewicz, who served as my product-line guide on that sunny May day.

Focal Kanta No.2 loudspeaker

Floor Loudspeaker Reviews

Robert Deutsch | Oct 25, 2018 | 5 comments

"Any color, so long as it's black." That was the choice famously offered by Henry Ford to buyers of his Model T. Some makers of loudspeakers, notably GoldenEar Technology, follow the same dictum.

Not Focal. The Kanta No.2 ($9999/pair) is available with a cabinet finished in High Black Lacquer or Walnut veneer, with baffles finished in a variety of colors, including High Glass Carrara White and Gauloise Blue. The review samples had black cabinets and white baffles, which made me think of the two-tone cars that were the rage in the 1950s and '60s—and which may be coming back.

Doshi Audio Monoblock V3.0 power amplifier

Tube Power Amp Reviews

Jason Victor Serinus | Oct 23, 2018 | 16 comments

Doshi Audio first crossed my radar at the 2010 Rocky Mountain Audio Fest, where I wrote that the sound of the company's tubed monoblocks and preamp, connected to Wilson Audio Sasha loudspeakers via Transparent XL cables, "excelled in midrange strength as the system threw an exciting soundstage." After auditions of Doshi-Wilson pairings at many subsequent shows had convinced me that Doshi's products could truly sing, I contacted company owner and product designer Nishith "Nick" Doshi to inquire about reviewing one of his amps.

PS Audio Sprout100 integrated amplifier

Budget Component Reviews, Integrated Amp Reviews

Herb Reichert | Oct 23, 2018 | 15 comments

The original PS Audio Sprout, which I reviewed in the May 2015 issue, showed newcomers an easier, smaller way to amplify music recordings in the home. At $599, the Sprout100 costs $100 more. It fixes a few of the old Sprout's weirdnesses: no power-on indicator light, no remote control, five-way binding posts that weren't really five-way. It also doubles the Sprout's class-D power output into 4 ohms, from 50 to 100Wpc (or 50Wpc into 8 ohms), and adds a few sonic and mechanical enhancements.

The Final Report from Toronto Audiofest 2018

Toronto Audiofest 2018

Robert Deutsch | Oct 23, 2018 | 8 comments

Borrowing a page from the Montreal show—and, before that, from the shows sponsored by Stereophile—Toronto Audiofest presented some live performances of music. One of the performers was the gifted cellist, Vincent Bélanger—see photo above—familiar to audiophiles from his recordings and appearances at audio shows.

Day 2 at Toronto Audiofest 2018

Toronto Audiofest 2018

Robert Deutsch | Oct 22, 2018 | 0 comments

Vince Scalzitti's Tri-Cell Enterprises had five rooms on Level 4 of the Westin, with lots of product introductions. One that caught my eye was a piece of equipment that looked like it was from an airplane used in WW II. Labeled a "Puristic Audio Apparatus," this was the Thöress F2A11 integrated amp ($11,500, all prices in Canadian dollars unless marked otherwise) and is cradled like a baby by Vince in the photo above.

Debussy As Close as We Can Get

Jason Victor Serinus

Jason Victor Serinus | Oct 22, 2018 | 3 comments

I had all but resolved to move on from reviewing recordings honoring the 2018 centenaries of Claude Debussy's death and Leonard Bernstein's birth when word arrived of Warner Classic's 10-CD bargain box, Debussy: Ses Premiers Interprètes / His First Performers. This set's contents are so important that I want to give Debussy lovers a heads-up so that they can either make room for it in their holiday self-gift basket, give friends ample notice for what they'd like to be playing when 2019 rolls around, or start streaming immediately.

Toronto Audiofest Day 1

Toronto Audiofest 2018

Robert Deutsch | Oct 20, 2018 | 18 comments

Perhaps the most unusual speaker at Toronto Audiofest 2018 was Bryston's whimsically-named T-Rex Model T. It's a stacked pair of Model Ts, the top speaker upside down. I was reminded of the Double Advent system popular in the 1970s, but the T-Rex goes well beyond the Double Advent, with substantial bracing joining the speakers, a layer of rubber between them, and Bryston's DAX-1 digital crossover included. The total price is $18,000/pair (unless otherwise noted, all prices in this report are CN$), which represents something of a bargain for all this hardware.

Toronto Audiofest 2018 Starts Today

Toronto Audiofest 2018

Robert Deutsch | Oct 19, 2018 | 7 comments

Once upon a time—October, 2011, to be exact—there was a show called TAVES (Toronto Audio Video Entertainment Show). Reading my report on the show, and looking at the photo accompanying the first installment of the report fills me with a certain sadness. The photo shows Suave Kajko, Simon Au, Sarah Tremblay (left above), and Michel Plante (right above), whom I described as "a winning team," and, indeed, that show could not be described as anything but a complete success. For several years, the annual TAVES events were on an upward trajectory.

And then something happened.

Tidal Audio Akira loudspeaker

Audacious Audio, Floor Loudspeaker Reviews

John Atkinson | Oct 18, 2018 | 34 comments

Doug White, of Philadelphia-area retailer The Voice That Is, has been a fixture at US audio shows the past few years, where he always gets great sound using loudspeakers from Tidal Audio. (There is no connection between the German audio manufacturer and the music-streaming service owned by Jay Z and Sprint.) In early 2017, Herb Reichert, Jana Dagdagan, and I visited White and spent a delightful afternoon listening to Tidal's then-new Akira loudspeakers. I promised myself to review the Akira, which costs a wallet-straining $215,000/pair, when my schedule opened up. As things turned out, it was more than a year before that opportunity presented itself.

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