LATEST ADDITIONS

Robert Baird  |  Sep 01, 2017  |  0 comments
In football there's a saying to describe an unexpected outcome: "That why they play the games." The recorded music equivalent might be "That's why you have to listen to the records."
Kalman Rubinson  |  Aug 31, 2017  |  7 comments
It's time to fulfill my promise to write about Playback Designs' Sonoma Syrah music server and Sonoma Merlot DAC. It all began when I asked Playback's founder and CEO, engineer Andreas Koch, when he plans to produce a multichannel digital-to-analog converter—a question I've put to so many other manufacturers. He said that he already had a multichannel system on the drawing board, and not just a DAC. Our e-mail exchange culminated in his announcement of the Playback Designs USB-XIII Digital Interface, to be used between a USB source component and as many as three DACs via PLink, Playback's proprietary fiber-optic connection.
Robert Baird  |  Aug 31, 2017  |  3 comments
Long ago, I stopped associating Act II of Tchaikovsky's Swan Lake with dancing. Now, every time I hear it, I immediately flash on broken battlements, a black cape, and Béla Lugosi's unmistakable Hungarian accent: "Listen to them—cheelllldreennn of dee night. What muuuusic they make!"

Then there were James Bernard's tense scores for the Hammer films—like Dracula: Prince of Darkness (1966), starring Christopher Lee—that my parents somehow let me see in a theater when I was seven, as part of an afternoon of bargain monster movies that included all the sourballs and unbuttered popcorn you could wolf down. Scared to death, my life was forever changed.

Bob Katz  |  Aug 31, 2017  |  0 comments
This story originally appeared at InnerFidelity.com

I have a love affair with my Stax SR-007 Mk2 phones, which I judge to be superior, smoother, more musical and accurate than the expensive SR-009 model. What's with Stax? For them "better" seems to mean brighter, but why manufacture an even brighter headphone when the 007 model already sounds too bright? Stax seems to be obsessed with detail at the expense of musicality or even accuracy. But after-market amplifiers have sweetened that tune to a great extent.

Margaret Graham  |  Aug 30, 2017  |  First Published: Oct 01, 1979  |  0 comments
Michael Newman—Classical Guitarist
Sheffield Lab 10 (LP). Lincoln Mayorga, prod.; Doug Sax, eng., prod.

Mr. Newman's program comprises Bach's "Chaconne" from the Violin Partita No.2 in d, Albeniz's Torre Bermeja, Turina's Fandanquillo, and Eduardo Sainz de la Maza's Campanas del Alba. This is simply gorgeous. The most perfect guitar recording to date. BUY IT!!!!Margaret Graham

Jim Austin  |  Aug 29, 2017  |  66 comments
Nelson Pass is a consummate engineer, but he got his start in physics, earning a bachelor's degree from UC Davis. As he worked on his degree, he was already an audio designer, focusing on loudspeakers—great training for a designer of audio amplifiers. Soon, in 1974, he cofounded Threshold Audio with René Besne, of audio and folk-dancing fame; their goal was to build electronics, partly because the field is less competitive—it's harder than building speakers.
Margaret Graham, J. Gordon Holt  |  Aug 29, 2017  |  First Published: Oct 01, 1979  |  1 comments
Tchaikovsky: 1812 Overture (Op.49), Capriccio Italien (Op.45 ), "Cossack Dance" from Mazeppa (LP), plus Marche slav, Op.31, Polonaise and Waltz from Eugene Onegin , Op.24, Festival Coronation March (CD).
Cincinnati Pops Orchestra, Kiev Symphony Chorus; Children's Choir of Greater Cincinnati, Erich Kunzel cond.
Telarc Digital DG-10041 (LP, CD-80041 (CD). 1979 (LP), 1984 (CD). Edited at Soundstream, Inc. Robert Woods, prod.; Jack Renner, eng. DAA (LP), DDD (CD). TT: 35:19 (LP), 60:23 (CD).

I must say I'm getting a bit bored with the 1812 Overture, but as long as there are audiophiles, it will be recorded due to the stringent demands it can make upon one's playback system. This version produced by Telarc is going to be hard to beat. The cannon fire is unbelievable.

Jana Dagdagan  |  Aug 28, 2017  |  75 comments
In this video, Steve Guttenberg, "The Audiophiliac" and a regular contributor to Stereophile's "As We See It" column, gives us a tour of his system in Brooklyn, NY.
Tyll Hertsens  |  Aug 27, 2017  |  0 comments
This story originally appeared at InnerFidelity.com

Right off the top I'm going to encourage any budding social media and music producers in need of their first pair of "real" headphones to take a good hard look and listen to the Sennheiser HD 471. This is a terrific headphone at a terrific price. Sennheiser's website shows the price as $109, but they're commonly available for around $70. Read on for the full scoop!

Jason Victor Serinus  |  Aug 26, 2017  |  3 comments
Harmonia Mundi's recent hi-rez release, Bach Cantatas for Soprano with the Freiburger Barockorchester under Petra Müllejans, demonstrates why Carolyn Sampson has succeeded the divine Emma Kirkby as the leading British early music soprano of our time. Tuneful beyond belief, the recording delivers joy upon joy.

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