LATEST ADDITIONS

Robert Baird  |  Sep 05, 2023  |  0 comments
The standup bass genius and jazz force of nature Charles Mingus made his first album for Atlantic Records, Pithecanthropus Erectus, in 1956. Several of his most memorable musical masterpieces, including The Clown (1957), Blues and Roots (1960), and Oh Yeah (1962), followed as he intermittently returned to the label throughout the 1960s and early '70s. Beginning in 1974 with Mingus Moves, the cigarillo-chomping, famously gruff Mingus recorded most of his final albums for the label as he progressed from composer/player to wheelchair-bound writer and musical director. His final seven studio albums for the label and a single LP of outtakes, all freshly remastered, comprise this welcome 8-LP (or 7-CD) box-set addition to the Mingus oeuvre.
Tom Fine  |  Sep 01, 2023  |  9 comments
The concept of streaming digital music files over distances great (as with internet-streaming services like Spotify, Qobuz, Tidal, etc.) and small (from a home-PC hard drive, NAS, or networked music server) became mainstream only recently. But it was already brewing during the late 20th century, with people illegally downloading low-bitrate MP3 files made from CD rips and coming close to killing the recorded-music industry.

That wasn't streaming exactly, or not in the current sense, because the files needed to be downloaded, stored locally, then either played out of a computer or loaded onto a portable player, but from that point forward it was a steady march to the streaming-dominated present.

Never mind Napster—the first subscription audio "streaming" service was one you probably wouldn't think of: Audible, the audio book service now owned by Amazon, which started up in 1995. I did beta testing and editing work for early-days Audible, and around that time, I started loading up home-ripped MP3 files on a pocket-sized Rio MP3 player (which by then had replaced Audible's proprietary player), using it in place of a portable CD player. This led to experiments with a PC music library/player running Linux, controlled by a Handspring PalmOS device connected to the stereo system via a Sound Blaster 16 card.

Jason Victor Serinus  |  Aug 31, 2023  |  63 comments
I should have trusted my ears. When I first encountered Infigo (pronounced In-FEE'-go) electronics, paired with Alta Audio's Adam loudspeaker, at T.H.E. Show 2022 in Long Beach, California, I wrote, "Timbres were beautiful on bass and high-pitched percussion. The chimes and vibes sounded special and clean, colors were plentiful, and deep bass was all of one piece." Nor was I exaggerating. In that system, Infigo's Method 3 monoblocks ($55,000/pair) pleased my ears as much as their blue-illumined interiors delighted my eyes.

Rather quickly, Editor Jim Austin suggested I review the Method 3. Perhaps he'd already been tipped off by Ken Micallef's praise when he first encountered Infigo in November 2021 at the Capital Audio Fest, and by the ensuing buzz.

Rogier van Bakel  |  Aug 30, 2023  |  3 comments
Her first professional recording became a career-defining global hit, changed the culture, and helped make bossa nova a worldwide phenomenon. but there's a dark side to the success of "The Girl From Ipanema," which followed the Brazilian chanteuse until her recent death.
Michael Trei  |  Aug 29, 2023  |  5 comments
The next time you're preparing to play a record, try doing a little experiment. Once you have the record mounted and spinning but before you lower the stylus into the groove, lower your gaze to just below record level and look for a gap between the platter and the record. It helps if there's a light source or a brightly colored wall behind the platter. You may discover a gap—that very little of the record's playing area is making true contact with the platter mat or (if there is no mat) the platter. Another way to test this is to take a record you don't care much about, put it on the platter, then tap with your finger in the groove area listening for a click as your finger pushes the record down and it contacts the platter surface.

Warps obviously lead to such problems, but even records that appear flat make scant contact with the supporting surface. Turntable and aftermarket accessory designers have recognized this problem for decades.

Thomas Conrad  |  Aug 28, 2023  |  3 comments
Something has happened in jazz culture in the new millennium. There is more emphasis on original composition than ever before. There has been remarkably little discussion and analysis of this phenomenon, perhaps because many assume it is a positive development. Jazz, after all, prioritizes originality.

There is a counterargument. It goes like this: Jazz today is vital and dynamic because great players keep popping up, all over the world. Very few of those great players are also great composers. Yet they apparently feel obliged to be. A large proportion of new jazz albums contain all or mostly originals.

Ken Micallef  |  Aug 25, 2023  |  19 comments
What Were Once Vices Are Now Habits—the 1974 album by those San Jose yacht-rock sages the Doobie Brothers—could also describe an audiophile's life.

The journey begins with booze and bong money spent instead on an entry-level turntable and cartridge; it did for me anyway. Then starts the churn, through many components and configurations seeking that elusive, blissful audio fix until finally we find our audio oasis, our own sonic peace, our gearhead nirvana. We achieve a system that satisfies our listening indulgences, whether it be based on streaming or spinning, class-D or tubes, with Belden wire or 0.999999% pure-silver single-strand wire that costs more than a Range Rover. It doesn't last.

Herb Reichert  |  Aug 24, 2023  |  6 comments
I'm going to tell a story about blind listening, because it illustrates what I consider the most important issue in today's audiophile environment. I'm going to skip the names of the participants because you probably know them. And I'm not going to name the components, because their role in this story is merely as symbols of their type. Here is what I'll reveal: We were playing LPs through an expertly curated, six-figure–priced sound system in a largish room that suited the large speakers perfectly.

The occasion was a "listening party" at a friend's apartment. The guest list included me and four of the most experienced listeners I know. The plan was for everyone to nosh lightly, drink good wine, and weigh in on a new, unnamed, not-free low-output MC phono cartridge, only available on a limited, made-to-order basis.

Alex Halberstadt  |  Aug 23, 2023  |  7 comments
Alex Halberstadt (front) listens to the BAACH-SP Adio system at High End Munich. (Photo: Jason Victor Serinus)

If you're going to Germany to immerse yourself in big-city excitement—churning dance clubs, matterful contemporary art, visitors and food from around the world, and street life that goes on all night—you'll probably find it in Berlin. Though rents have been climbing and there's no shortage of dirty sidewalks and petty crime, the German capital remains one of the most youthful and vibrant cities in Europe, an art and culture center with large expatriate communities and endless things to do. For urban thrills on a smaller scale, you can make a case for Cologne and even Leipzig.

Just maybe don't go to Munich. As soon as you leave the airport, you know you've reached the epicenter of German burgherdom—a place where manicured lawns, public safety, tidy storefronts, and respectful revelers in Tyrolean costumes are the norm.

Tom Fine  |  Aug 22, 2023  |  2 comments
The wall of Gold and Platinum Disc Awards, as displayed at the Gateway Mastering website.

In Part 1 of this interview, which announced that famed mastering engineer Bob Ludwig was retiring, Ludwig discussed his early days as a music-loving student, as a trumpet player, his graduation from Eastman College with a Master's degree in music performance, and how working with legendary engineer and producer Phil Ramone at A&R Studio awakened his interest in how records are made. In this second part, Ludwig talks about how he moved to Sterling Sound, then to Masterdisk, and finally how and why he set up his own studio, Gateway Mastering Studios in Portland, Maine.

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