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Stereophile  |  Dec 05, 1999  |  117 comments

It looks as if the release of DVD-Audio players will be delayed by several more months. Any comments about the situation?

What are your thoughts about the delay of DVD-Audio players and software?
Not happy, here's why
22% (39 votes)
A little upset
15% (28 votes)
Don't really care
44% (80 votes)
Actually relieved, here's why
17% (30 votes)
No opinion
2% (4 votes)
Total votes: 181
Stereophile Staff  |  Dec 05, 1999  |  0 comments
Time does fly when you're having fun, and it's hard to believe that the Stereophile website is two years old—so it's time for a party and some presents!
Barry Willis  |  Dec 05, 1999  |  0 comments
Audiophiles eager to try DVD-Audio will have to wait just a bit longer. Matsushita Industrial Electric Co. and Japan Victor Company have decided to hold back their new DVD-A players, in the wake of the widely publicized decryption of the format's copy-protection scheme by a Norwegian computer hacker. The hacker published his workaround of the encryption on the Internet late in November.
Jon Iverson  |  Dec 05, 1999  |  0 comments
As reported last March, loudspeaker manufacturer Von Schweikert Research closed its doors after a disastrous flood hit the factory (see previous report). Many thought this was the end of the story, but last week, Dr. Edward Gonzaga, of the Gonzaga Investment Group, announced the formation of a new version of the company, to be named Von Schweikert Audio.
Jon Iverson  |  Dec 05, 1999  |  0 comments
Last August, we reported that brick-and-mortar retailer Tweeter Home Entertainment Group had aligned itself with online retailer Cyberian Outpost to leverage each company's respective strengths, both on- and offline. The trend continues as, last week, brick-and-mortar retailer Harvey Electronics announced that it has reached an "agreement in principle" with CoolAudio.com (see previous story) to merge the two companies through an exchange of common stock.
Jon Iverson  |  Dec 05, 1999  |  0 comments
The quest for new speaker technologies has resulted in some novel approaches to the reproduction of sound, as witnessed by products announced in the last few years by NXT and 1 . . . Ltd. (See previous story.) Some of Stereophile's readers may also recall that, back in May 1996, American Technology Corp. shook things up in the audio world by announcing what the company described as its "breakthough" new technology, the much-debated HyperSonic Sound (HSS). This was followed up in February 1997, when ATC announced the introduction of its Stratified Field Technology SFT, which company literature touted as "a significant improvement over conventional loudspeakers."
John Atkinson  |  Dec 05, 1999  |  0 comments
Since 1992, Stereophile has named a select few audio components its "Products of the Year." In doing so, we recognize those components that have proved capable of giving musical pleasure beyond the formal review period.
John Atkinson  |  Dec 04, 1999  |  0 comments
One of the delights of being published by a multinational conglomerate that grows through acquisition, as Emap Petersen does, is that Stereophile finds itself in interesting company. Like La Nouvelle Revue du Son in France, for example, edited by the legendary Jean Hiraga, who turned me on to the sonic importance of wires and passive components almost 25 years ago. And Mojo, an English music magazine tightly targeted on baby boomers like me, who bought their first stereo systems in the '60s to better appreciate the progressive rock we lived and loved by. (I wonder if turn-of-the-millennium college students gather 'round a new G4 Mac to get off on MP3s the way, 30 years ago, we gathered 'round our precious vinyl.)
Kalman Rubinson  |  Dec 02, 1999  |  0 comments
Unlike the imposing mbl and Burmester DACs that I review elsewhere in this issue, the Mark Levinson No.360 is New England conservative in appearance. Its operation was simple to master despite the sophistication and flexibility on tap. Flanked by Fasolt and Fafner, the Levinson No.360 seemed as amiable as Freia.
Stereophile  |  Nov 28, 1999  |  0 comments

It would seem that every generation remembers the good ol' days of music, before the kids turned it all into mush. Or is that just a fallacy proven wrong by every new release?

Do you think music (any genre you prefer) is getting better, worse, or staying the same? Please explain.
Much better
7% (10 votes)
A little better
18% (24 votes)
Staying the same
25% (34 votes)
A little worse
21% (28 votes)
Much worse
29% (39 votes)
Total votes: 135

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