LATEST ADDITIONS

Jon Iverson  |  Jan 07, 2001  |  0 comments
Audiophiles on a budget will be pleased to learn that not everything on display at Alexis Park requires a second mortgage. We were particularly impressed by the Audes model 037 loudspeaker, of similar size and sound to Revel's excellent Performa F-30. At $1200/pair, the Audes offers extraordinary value. All the company's products, including the drivers, are made in Estonia for export to North and South America, Western (and parts of Eastern) Europe, and Asia. The company has yet to establish a dealer network in nearby Russia because of economic uncertainties there, according to an Audes executive, who cited Russian prejudice against Eastern European products as another discouraging factor.
Wes Phillips  |  Jan 07, 2001  |  0 comments
Charlie Lourie, longtime jazz recording industry executive and co-founder of the enthusiast-oriented Mosaic Records, died December 31, 2000 from cardiac arrest, a complication of the rare viral disease scleroderma, from which he had suffered for the last three years. He was 60.
Brian Damkroger  |  Jan 07, 2001  |  0 comments
"Be careful what you wish for, or you just might get it."
Michael Fremer  |  Jan 07, 2001  |  0 comments
My review of the Audio Research VTM200 monoblock power amplifier elsewhere in this issue drove it home to me big time: Cables are important, and even more important is getting good cable advice from someone who knows and understands the gear you're using.
Jon Iverson  |  Jan 06, 2001  |  0 comments
Evolutionary. That's the word that comes to mind after strolling about the Alexis Park, home of Specialty Audio exhibits at the 2001 Consumer Electronics Show. The revolutionary stuff usually makes its debut at the Las Vegas Convention Center; here, in the high-end halls, we find manufacturers and designers more interested in perfecting existing technology.
Jon Iverson  |  Jan 05, 2001  |  0 comments
The largest of six divisions of Royal Philips Electronics, Philips Consumer Electronics Mainstream intends to push the audio industry in several directions this year, according to a presentation made by the division's CEO Guy Demuynck at a January 5 press conference in the Las Vegas Convention Center. Long a dominant force in research and development, as well as in marketing consumer electronics, Philips has great hopes for every segment of the audio market. 2000 was a record year for the company, Demuynck said, and 2001 should be very good as well.
George Reisch  |  Jan 05, 2001  |  0 comments
I walked through my local Best Buy recently and didn't see one stereo receiver. Boomboxes, table radios, surround-sound gear, and computer speakers were everywhere. But the hi-fi staple of the 1960s and '70s—the plain-vanilla two-channel receiver—was not to be seen. Even if one or two were lurking there, the fact remains that high-quality two-channel audio is now so disconnected from consumer electronics that it's hardly at the "high end" of anything at all. It's a world unto itself.
Michael P. Healey  |  Dec 31, 2000  |  0 comments

We've probably all bought an audio product only to find that it sported one or two entirely useless or poorly designed "features." Reader Michael P. Healey wonders what is the most egregious example of a bad feature you can think of?

What is the worst, goofiest, or most useless "feature" you've seen on an audio product?
Here it is
93% (99 votes)
I've never met a feature I didn't like
7% (8 votes)
Total votes: 107
J. Gordon Holt  |  Dec 31, 2000  |  First Published: Feb 01, 1968  |  0 comments
We're not really sure who coined the term—it is usually attributed to Alistair Cooke, former host of the "Omnibus" TV program—but "audible wallpaper" is an apt term for something that is of more than passing concern for the serious music listener.
J. Gordon Holt  |  Dec 31, 2000  |  First Published: Jun 01, 1963  |  1 comments
Editor's Introduction: In 1963, Stereophile's founder J. Gordon Holt published attacks on what he saw as the single largest step backward in high-fidelity sound reproduction at that time: RCA's introduction of "Dynagroove" LP records, where the recorded signal was pre-distorted and dynamically equalized to compensate for the poor performance of cheap phonograph players. "Issue 5...revealed most of RCA Victor's 'revolutionary' new system as nothing more than a sophisticated way of bringing higher fi to record buyers who don't care enough about hi-fi to invest in a decent playback system." Ten years later, Gordon wrote that, "As of 1974, the best we can say for Dynagroove is that there is no audible evidence of it on current RCA releases." (These articles were reprinted in June 1992, Vol.15 No,6, as part of Stereophile's 30th-anniversary celebrations.)John Atkinson

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