Jon Iverson  |  Jan 08, 2000  |  0 comments
Digital perfectionists Meridian obviously pulled out all the stops on their new flagship speaker product, the DSP8000. Checking in at $45,000/pair, the eight-driver Digital Active design is expected to hit the market sometime in March. Meridian claims the three-way powered speaker has a 24/96 digital input on the back and processes the digital signal internally with two 100MHz DSP engines operating with 24/192 resolution. Also on display were the new DSP33s, also Digital Active but more modestly priced at $4500/pair.
Jon Iverson  |  Jan 06, 2000  |  0 comments
High-end audio in trouble? That's been the consensus the last few years, but the sheer number of new products at this year's Consumer Electronics Show hints at a steady trend in the opposite direction. New developments in power conditioning abound, and several brave companies are even testing the SACD/DSD and DVD-Audio waters.
Jonathan Scull  |  Jan 05, 2000  |  0 comments
Judy Spotheim, maker of the SpJ arm and the gorgeous La Luce turntable that I reviewed a while back for Stereophile (October 1998) and that has subsequently become one of my references for LP playback. She's an intelligent, well-read individual who has a penchant for asking me, "You didn't read that in the manual?!" Ahem. Although the following interview was taped on the phone from her home in the Netherlands, I hope to meet her sometime soon.
Paul W. Simoni  |  Jan 02, 2000  |  0 comments

Reader Paul W. Simoni wonders how content audiophiles are with the high-end audio business.

If you could change <I>one</I> thing about the high-end audio industry, what would it be?
Here it is:
92% (110 votes)
Everything's fine
8% (9 votes)
Total votes: 119
Jon Iverson  |  Jan 02, 2000  |  0 comments
It's been a tough year for some of the audiophile record labels, as witnessed by the demise in late November of Mobile Fidelity Sound Lab (see previous story). The shock of MoFi's sudden departure even prompted Kimber Kable's Ray Kimber to fire off an e-mail to everyone within virtual reading range, urging them to buy a few audiophile CDs and LPs right now, before it's too late.
Barry Willis  |  Jan 02, 2000  |  0 comments
The month of December was particularly hard on the music world, which lost three of its greatest talents within a few days of each other: Curtis Mayfield, Grover Washington, Jr., and Charles Earland. All were in their late 50s.
Barry Willis  |  Jan 02, 2000  |  0 comments
Owners of Threshold electronics will soon have an expert service organization available for their amplifiers and preamps. Threshold Corporation national sales manager Chris English reports that he has assumed the presidency of a new company to be devoted solely to servicing Threshold equipment. Based in Texas, Threshold Service Company will employ factory-trained technicians and engineers, and will offer warranties on all their work.
Stereophile Staff  |  Jan 02, 2000  |  0 comments
Now that the big odometer has finally turned over, John Atkinson takes a moment to look back at the last 50 years of music reproduction—the era of high-end audio. Writing in "Happy New Audio Millennium," JA offers a little perspective on where audiophiles have traveled this last half century, and where we haven't.
John Atkinson  |  Jan 02, 2000  |  0 comments
The January 2000 issue of Stereophile is actually the last to be published in 1999, so, at the risk of adding to your millennial fatigue (footnote 1), it is appropriate to devote much of this month's magazine to navel-gazing. Robert Baird, Chip Stern, David Patrick Stearns, and Larry Birnbaum examine the state of recorded music, while in the first of two articles, Markus Sauer questions the beliefs that underpin the audiophile world. And this "As We See It" offers an overview of what used to be called "high fidelity."
Michael Fremer  |  Dec 27, 1999  |  0 comments
Nothing like scarcity to create demand, right? Well, there's been a scarcity of Nuvistors out there for decades, and hardly any demand. Do you know about the Nuvistor, aka the 6CW4? It was a tiny triode tube smaller than your average phono cartridge. Enclosing its vacuum in metal rather than glass, the Nuvistor was designed as a long-lived, highly linear device with low heat, low microphony, and low noise---all of which it needed to have any hope of competing in the brave new solid-state world emerging when RCA introduced it in the 1960s.