LATEST ADDITIONS

Wes Phillips  |  Feb 20, 1997  |  0 comments
THEATER OF VOICES: The Age of Cathedrals
Paul Elliott, Alan Bennet; Theater of Voices: Neal Rogers, Mark Daniel, Hugh Davies, Tom Hart, Boyd Jarrell; Paul Hillier, dir.
Harmonia Mundi France HMC 907157 (CD only). Robina G. Young, prod.; Craig Silvey, eng. AAD? 1996. TT: 77:18
Performance ******
Sonics *****
Stereophile Staff  |  Feb 10, 1997  |  First Published: Feb 10, 1991  |  1 comments
One Saturday afternoon in August 1990, a number of Stereophile's writers—John Atkinson, Arnis Balgalvis, Robert Deutsch, Larry Greenhill, Robert Harley, J. Gordon Holt, Richard Lehnert, Guy Lemcoe, Lewis Lipnick, Peter Mitchell, Tom Norton, Dick Olsher, Don Scott, and Bill Sommerwerck—gathered together in the magazine's Santa Fe, NM listening room to discuss the "Recommended Components" listing that was due to appear in the October 1990 issue. To add a little Tabasco to the proceedings, JA had invited AudioQuest's main man Bill Low (above) to give a short talk on whatever subject was uppermost in his mind that weekend, to be followed by an open discussion.
J. Gordon Holt  |  Feb 04, 1997  |  First Published: Feb 01, 1963  |  0 comments
Dateline: late August 1989. The scene: my palatial office in the Stereophile Tower. Present were the magazine's official technowizard Robert Harley, Circulation Kahuna Michael Harvey, and myself. The subject under discussion was the program for the Stereophile Test CD, launched in this issue, and Bob had been dazzling Michael and myself with a description of the sophisticated signal-processing power offered by the Digidesign Sound Tools music editing system with which he had outfitted his Macintosh IIX computer. (He had to fit it with a 600-megabyte hard-disk drive!) "It'll even do edits as crossfades as well as butt joins," enthused Bob. "Let me tell you about the crossfade I once did when editing a drum solo for a CD master that lasted ten seconds..."
Thomas J. Norton  |  Feb 04, 1997  |  First Published: Feb 04, 1991  |  0 comments
The justification of art is the internal combustion it ignites in the hearts of men.—Glenn Gould
Stereophile Staff  |  Feb 03, 1997  |  0 comments
When I first heard about "Records To Die For," I had to laugh. "Desert Island Discs," maybe, but Records To Die For? Laying down your life for a record? World-class hyperbole. Throw yourself on a sword for a glob of petrochemicals? Not me. If your house was burning down, would you a) grab your child, b) grab your photos and other irreplaceable items (cats, loved ones, etc.), or c) grab your records?
Barry Willis  |  Jan 31, 1997  |  0 comments
Astute readers will note that although my name appears under the "hardware" heading of Stereophile's masthead, I have rarely written about specific products, and, apart from secondary comments or Follow-Ups, have never written a formal equipment report. For years I resisted reviewing because I was usually connected in some way to audio manufacturers and/or retailers, and felt very uncomfortable with the conflict of interest. The other reason I was disinclined to review is that the critical listening required of reviewers is work, and after a long day or week of working on, or with, audio equipment, the only thing I wanted to do when I came home was relax. But since I have hung up my soldering iron and oscilloscope probe for what I hope is the last time, and am cleaving instead to my word processor (or, as playwright David Ives dubbed it, my "verboblender"), you may see more of this—WP, JA, and God willing.
Thomas J. Norton  |  Jan 25, 1997  |  0 comments
We are now well past the era in which every review of digital playback equipment had to begin with an apology for the medium. CD replay performance may, in fact, now be bumping up against a glass ceiling. But that doesn't discourage high-end audio manufacturers from trying to advance the art, and tempt audiophiles (at least those among us who are not hopeless digiphobes) out of our minds.
Robert Baird  |  Jan 25, 1997  |  0 comments
DON BYRON: Bug Music
Don Byron, clarinet, baritone saxophone, vocals; Steve Wilson, alto saxophone; Robert DeBellis, tenor saxophone; Charles Lewis, Steve Bernstein, James Zollar, Trumpet; Craig Harris, trombone; Uri Crane, piano; Paul Meyers, banjo; David Gilmore, guitar; Kenny Davis, bass; Pheeroan akLaff, Billy Hart, Joey Baron, drums; Dean Bowman, vocals. Nonesuch 79438-2 (CD only) 1996. Don Byron, prod.; Danny Kapilian, assoc. prod.; Tom Lazarus, eng.; David Merrill, assist eng.; Alan Tucker, mastering eng. Carol Yaple, exec. prod. ??? TT: 51:07
Music ****
Sonics ****
Barry Willis  |  Jan 22, 1997  |  0 comments
Audio nuts with a sense of humor and an interest in art will enjoy the works by sculptor Alan Rath currently on display at the Haines Gallery in downtown San Francisco.
Steven Stone  |  Jan 22, 1997  |  0 comments
September 1997 saw the 35th anniversary of Stereophile magazine, founded by J. Gordon Holt back in 1962. If any interview needs no introduction, this is it. My interview with Gordon was conducted around the kitchen table in Gordon's Boulder, Colorado home over a couple of cold beers. It seemed appropriate to start at the very beginning...
J. Gordon Holt: I don't remember when that was.

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