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Stereophile  |  Oct 15, 2000  |  116 comments

The results from last week's Vote! indicate a clear distaste for watermarking as a means of preventing the pirating of recordings. But what do you suggest be done in its place?

How would you slow down the pirating of recordings?
Here's my idea:
63% (91 votes)
It's not really a problem.
31% (45 votes)
Don't know.
6% (9 votes)
Total votes: 145
Stereophile Staff  |  Oct 15, 2000  |  0 comments
Kalman Rubinson gives a long listen to the 1998 Stereophile Editor's Choice winner, the Z-Systems rdp-1 digital preamplifier. Like many audiophiles, Kal eschewed tone controls in favor of the purist approach—until he met the rdp-1. As he puts it: "Now, the time has come for DSP to give the audiophile some powerful tools to tailor frequency response and to correct faults in the recording."
Barry Willis  |  Oct 15, 2000  |  0 comments
Last night I saw him on the stair—
the little man who wasn't there.
I saw him there again today;
oh, how I wish he'd go away.
Jon Iverson  |  Oct 15, 2000  |  0 comments
Following on the heels of its announcement last week of the first commercially available DVD-Audio disc (Swingin' for the Fences, by Gordon Goodwin's Big Phat Band), Silverline Records says that Aaron Neville will become the first major artist to release an album in the format. Silverline expects that, on October 24, Neville's solo album Devotion will be released on DVD-A. The disc will also include audio tracks compatible with standard DVD players.
Jon Iverson  |  Oct 15, 2000  |  0 comments
The most common complaint about record companies: CD prices are too high. In fact, many blame Napster's runaway success on the insistence of "greedy labels" on pricing discs at $15 or higher. Apparently BMG Direct, a division of BMG Entertainment, has put two and two together and found it equals $9.99.
Barry Willis  |  Oct 15, 2000  |  0 comments
Mastering engineer Denny Purcell let out a long sigh. "Does anyone in this room really believe that any of this is going to do any good?" he asked. Of the eight or nine people—each with decades of experience in the music and/or audio industries—hanging out at Georgetown Masters Studios in Nashville for SDMI's Phase II listening tests, no one said "Yes." The consensus: The watermarking issue will probably be dead and forgotten within a year.
Robert Baird  |  Oct 09, 2000  |  0 comments
EMMYLOU HARRIS: Red Dirt Girl
Nonesuch 79616-2 (CD). 2000. Malcolm Burn, prod., eng. AAD? TT: 55:58
Performance ****?
Sonics ****
STPH Staff  |  Oct 08, 2000  |  140 comments

Using a digital code, or "watermark," has been proposed for SACD and DVD-Audio recordings to help control what consumers can and cannot do with the new discs. The downside is that some engineers feel that the watermark, though subtle, might be audible at times. Does this bother you?

What do you think of watermarking SACD or DVD-Audio discs?
Boycott!
57% (182 votes)
Hate the idea
34% (110 votes)
Don't like it, but it seems they must do it
4% (12 votes)
Don't care
2% (7 votes)
Good idea
3% (8 votes)
Total votes: 319
Barry Willis  |  Oct 08, 2000  |  0 comments
You want to grow your market, you've got to plant some seeds. The Consumer Electronics Association (CEA) is doing just that with the BuzzNet 2000 tour, a traveling educational event that will hit college campuses beginning this month, as reported last week.
Stereophile Staff  |  Oct 08, 2000  |  0 comments
After a difficult gestation, DVD-Audio may finally be moving toward becoming a market reality now that a major record label has stepped forward to support it. Warner Music Group (WMG) has issued several recordings in the new format, covering a range of genres. DVD-A is "the most significant industry format launch since the introduction of the CD nearly 20 years ago," according to an October 2 WMG press release.

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