LATEST ADDITIONS

Art Dudley  |  Feb 20, 2005  |  0 comments
My first reaction to the Prima Luna Prologue One was based solely on looks: For $1095, I might not have been disappointed had it sounded no better than a Bose Wave Radio. Its casework straddles the breach between vintage and modern in a way that little else does, at any price. The dark gray-blue finish, hand-rubbed to a tactile gloss, wouldn't look out of place on an Alfa GTV (the new one, which resembles a drop of oil). And for the first time in my experience, a high-end audio manufacturer has figured out a way to make a protective tube cage easy to remove and replace: with banana plugs and sockets. Why couldn't one of the high-price American brands have figured that out?
Wes Phillips  |  Feb 20, 2005  |  1 comments
How times have changed. When Krell first debuted its KAV-300i, in 1996, it risked having people question its high-end credibility simply for having considered producing an integrated amplifier, much less an affordable one. After all, Krell was the company best known for massively overbuilt—and, many claimed, overpriced—power amplifiers that were uniquely capable of driving speakers of ridiculously low impedance. In Martin Colloms' review of the 300i in the July 1996 Stereophile, he asked the question on everyone's minds: "Is Krell risking its reputation?"
Wes Phillips  |  Feb 14, 2005  |  0 comments
We were saddened to learn that the great jazz organist Jimmy Smith died in his sleep on February 8. He was 76.
Wes Phillips  |  Feb 14, 2005  |  0 comments
EMI drops: The EMI Group, the British music company, sent its stock prices plummeting 16% with its announcement last week that sales for the fiscal year ending next month would be as much as 9% below those of last year.
Wes Phillips  |  Feb 14, 2005  |  0 comments
At last week's International Solid-State Circuits Conference, IBM, Toshiba, and Sony unveiled details of their new Cell processor chip—a device that The New York Times proclaimed would create "a new digital computing ecosystem that includes Hollywood, the living room and high-performance scientific and engineering markets."
Jon Iverson  |  Feb 14, 2005  |  0 comments
On the face of it, 99¢ per track low-rez music downloads don't seem like a good deal. For the same price, or maybe even less, you can get an entire CD of the same music, along with a booklet, and without the Digital Rights Management crippleware that hobbles paid downloads.
Stereophile  |  Feb 13, 2005  |  0 comments

Responses were surprisingly evenly distributed in last week's Vote, so this week we'll focus on your AC outlets and wiring. Have you upgraded your AC path from the pole to the socket you plug your equipment into?

Other than the power cords for your equipment, have you made other upgrades to the AC path to your listening room?
Haven't done a thing
31% (44 votes)
Made a small upgrade
17% (25 votes)
Made a few upgrades
24% (34 votes)
Upgraded the entire path
19% (27 votes)
It's all snake-oil voodoo!
9% (13 votes)
Total votes: 143
Art Dudley  |  Feb 13, 2005  |  0 comments
It's a strange sort of progress: As culture and commerce evolve, most people look for simple, easy solutions to their needs. Enthusiasts, however, go out of their way to complicate matters, often choosing products that are expensive and difficult to use. Nowhere is this more obvious than in the world of home audio, where typical consumers have embraced the notion of smallish, self-contained music systems—yet audiophiles, who are surely as crazy as bedbugs, seem bent on parsing an ever-increasing number of individually distinct products from the basic concept of a music system.
Kalman Rubinson  |  Feb 13, 2005  |  First Published: Jan 13, 2005  |  0 comments
Along with speakers and their placement, the greatest influence on the sound of a music system are the acoustics of the room itself. With two-channel stereo, some reflections and reverberations are necessary in order to maintain the perception that one is listening in a real space. So, while many experts recommend having a "dead" end behind and near the speakers that absorbs most sound, few suggest such treatment for the rest of the room. With too few sonic reflections, the stereo image would narrow; without the aid of "room gain" to enrich the bass, the sounds of instruments and voices would be thin. Listening in an anechoic chamber is interesting and informative, but far from pleasurable.
John Marks  |  Feb 13, 2005  |  0 comments
"Most people really don't like music—they just like the way it sounds"

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