LATEST ADDITIONS

Stephen Mejias  |  Oct 27, 2005  |  4 comments
But it’s not the cats that are killing me. It’s the commute.
Stephen Mejias  |  Oct 26, 2005  |  5 comments
Music editor, Robert Baird, comes over and asks: "How’s it going, chief?"
The "chief" part I take as a compliment. This is a magazine publishing company we’re working for, after all.
"Not bad," I say, while handing him the new Silver Jews album I purchased last night: "Have you heard this yet? It’s pretty good."
"Oh yeah," he responds, "It’s great. Did you buy this?"
Stephen Mejias  |  Oct 25, 2005  |  3 comments
On our way home last night, at your request, we found shelter from the relentless rain near a bit of dancing fire. White candles melted into soft wings and waves and fingertips, beckoning us closer. We sat at the fun table beneath so many beaded chandeliers, and ordered the best drinks in all of Manhattan—pineapple coconut mojitos and razzle dazzles—which were far too strong, but perfect, nontheless. The older woman in the strange hat offered us one of her piggyback dates—stuffed with almonds and wrapped in bacon, sprinkled with Cabrales bleu cheese—but we, of course, declined, and decided instead to order some of our own.
Stephen Mejias  |  Oct 24, 2005  |  0 comments
Wes sends his "Hola!" from Barcelona:
Wes Phillips  |  Oct 24, 2005  |  0 comments
Gerhard Feldmann’s Bösendorfer New York is partnering with the Jazz Foundation of America to donate the legendary "Blue Note" Bösendorfer to the JFA's inaugural auction benefit, which will be held November 16 at the B.B. King Blues Club and Grill in New York City. Auction proceeds will support JFA non-profit programs, especially working gigs and educational programs for victims of hurricane Katrina in New Orleans and the Gulf Coast.
Stereophile  |  Oct 23, 2005  |  0 comments

Last week's "Vote" results indicate that readers clearly favor better-sounding recordings. But would a poorly recorded work prevent you from buying it, regardless of the performance or artist?

Would a poorly recorded work prevent you from buying it, regardless of the performance or artist?
Absolutely
21% (38 votes)
Most of the time
24% (44 votes)
Sometimes
28% (50 votes)
Once in a while
10% (19 votes)
Never
17% (30 votes)
Total votes: 181
John Atkinson  |  Oct 23, 2005  |  First Published: Nov 23, 2005  |  0 comments
"I can't make out the words."
Wes Phillips  |  Oct 23, 2005  |  0 comments
I'd heard rumors about Peak Consult. John Marks was all a-burble, having reviewed the InCognito in "The Fifth Element" in the September 2003 Stereophile, but I'd never actually heard anything designed by PC's Per Kristoffersen. Therefore, when US distributor Chris Sommovigo proposed that I audition the $25,000/pair Empress, I was intrigued. Well, who wouldn't be?
Wes Phillips  |  Oct 23, 2005  |  0 comments
Back in March, I wrote a reviewlet of Channel Islands Audio's VHP•1 headphone amplifier for the Stereophile eNewsletter. (What—you aren't receiving that free download yet? Well, log on to www.stereophile.com and opt in.) The VHP•1 has continued to enchant me—reason enough to examine it in greater detail, I reckoned. But the real reason I returned to the VHP•1 ($349) is that CIA's Dusty Vawter recently sent me his new VAC•1 ($159), a replacement power supply for the VHP•1's stock wall-wart supply. Could a new power supply really offer a substantial improvement in performance?
John Marks  |  Oct 23, 2005  |  0 comments
I recently spent a few days filling in for a local engineer, recording middle-school and high-school bands and choral ensembles. This was a requirement of the statewide music-educator adjudication process. (Don't laugh; recording high-school bands is how Telarc got its start.)

Pages

X