Jon Iverson  |  Feb 02, 2003  |  0 comments
Having a great product at a fair price is mandatory practice in the ever-competitive audio business. But getting the word out and placing those products in front of the customer is just as critical—some might argue, even more important. If this is true, then Canadian speaker company Athena has just made the score of a lifetime.
Jon Iverson  |  Jan 26, 2003  |  0 comments
Those who spurn audio discs with built-in restriction technologies should take note: SunnComm Technologies announced last week that its MediaMax CD-3 technology has been utilized to restrict the content on Ike and Tina Turner's new compilation CD entitled The Early Sessions.
Barry Willis  |  Jan 26, 2003  |  0 comments
Hilary Rosen's 17-year tenure with the Recording Industry Association of America (RIAA) will come to an end this year.
Jon Iverson  |  Jan 26, 2003  |  0 comments
Liquid Audio has been under attack for most of its short life, first from competitors and then from its own shareholders and corporate raiders. But the tumultuous journey may finally be coming to an end as the company reports that it is settling some of its lawsuits and shareholder claims while selling its remaining assets.
Stereophile Staff  |  Jan 26, 2003  |  0 comments
Three reviews from January: First, Art Dudley gives us his take on the Final Laboratory Music-4 phono preamplifier, Music-5 line preamplifier, and Music-6 power amplifier. Art writes, "Modern hi-fi is little more than a way of getting electricity to pretend that it's music."
Barry Willis  |  Jan 26, 2003  |  0 comments
The new year ushered in several significant personnel changes for the audio industry.
Barry Willis  |  Jan 26, 2003  |  0 comments
Retailing can be a rough ride even in the best of times. In the current climate, it’s especially hard for those trying to make a go of it with recorded music.
Chip Stern  |  Jan 26, 2003  |  0 comments
Rogue Audio's Magnum Ninety-Nine tubed preamplifier is derived from the original Rogue Sixty-Six that I reviewed in October 2000. The Sixty-Six was designed to offer consumers a taste of high-end performance in a vacuum-tube line stage. By constrast, the Magnum Ninety-Nine's pedigree is pure audiophile, with a more sophisticated mu-follower circuit topology aimed at the purest expression of performance.
Brian Damkroger  |  Jan 26, 2003  |  0 comments
One of the nicest surprises at any audio show is encountering a new—to me, at least—manufacturer whose products seem to stand out from the competition. At the 2002 Consumer Electronics Show, one such standout was the Kirksaeter line of loudspeakers from Germany. I spent quite a few minutes listening to and enjoying the performance of these modestly sized and priced speakers, but since my writing assignment was electronics, I tucked the experience away in the back of my mind and moved on.