LATEST ADDITIONS

John Marks  |  Oct 29, 2006  |  0 comments
The Ultimate Audio Toy—Or, if you will, the apotheosis of the iPod.
John Atkinson  |  Oct 29, 2006  |  First Published: Nov 29, 1995  |  0 comments
Flip flip flip]...Where the heck is it?...[flip flip flip]...Got it!" What am I looking for? There, in black and white, on p.634 of J. Gordon Holt's Really Reliable Rules for Rookie Reviewers (footnote 1), is the Prime Directive On Loudspeaker Setup: "Never, ever, choose a loudspeaker that has too much bass extension for your room!"
Robert Harley  |  Oct 29, 2006  |  First Published: Jul 29, 1990  |  0 comments
When a loudspeaker designer produces a world-class product, it is usually the result of years, perhaps decades, of experience gained from designing less ambitious products. To review a particular designer's product history is to witness the learning curve in action as both his skill and technology advance. Successfully battling the laws of physics to produce a truly exceptional loudspeaker is thus thought of as the domain of the seasoned veteran whose vast knowledge and experience culminate in the pinnacle of his career—a world-class loudspeaker. Moreover, it is just these designers, working their way up to their masterpiece, who are the most successful at getting an ambitious design right. The high-end loudspeaker business is littered with the remains of companies that attempted to build a first product far too lofty for their skills.
John Atkinson  |  Oct 29, 2006  |  0 comments
Kalman Rubinson enthused over JL Audio's Fathom f113 powered subwoofer in his November "Music in the Round" column. Unfortunately, brainfade on my part when I wrote the text for the cover of that issue of Stereophile meant that the subwoofer was credited to "JL Labs." And in all the proof-reading that goes on while an issue of the magazine is being prepared, we all noted a) that the words "JL Labs" were both spelled correctly on the cover and b) that the words "JL Audio" were also spelled correctly on the contents page and all the way through Kals's column.
Wes Phillips  |  Oct 29, 2006  |  0 comments
Free, as in "no charge": RealTraps reports that it has upgraded ModeCalc, a graphical room-mode prediction software that it offers as a free download (Windows only, 1.3MB) to help people design new listening rooms, or assess the low-frequency response in existing rooms. The company says the new version of ModeCalc offers "several clever features, including a display that better identifies modes that are too close together, and a revised and expanded tutorial in the included Help system."
Wes Phillips  |  Oct 29, 2006  |  0 comments
On October 27, MarketWatch reported that EMI Music's chairman and CEO, Alain Levy, told an audience, "The CD as it is right now is dead." Speaking at the London Business School, Levy said that 60% of consumers rip CDs into their home computers in order to listen to them on digital music players.
Wes Phillips  |  Oct 29, 2006  |  0 comments
As we reported in early October, Ayre Acoustics' founder and president Charles Hansen was injured in a bicycling accident. Hansen has established a weblog to express his appreciation for the "outpouring of concern from my family, friends, and the audiophile community" and to help keep us all abreast of news of his continuing rehabilitation.
Stephen Mejias  |  Oct 27, 2006  |  0 comments
Long Before Deceit and Lust
Wes Phillips  |  Oct 27, 2006  |  0 comments
After the 2006 TDF, even the most innocent of us must realize how pervasive doping is at the highest competitive levels. How much would us athletic duffers benefit from chemical augmentation?
Wes Phillips  |  Oct 27, 2006  |  0 comments
The Library of Congress has posted scads of Aaron Copland's music. Forget doing anything else this weekend.

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