Osvaldo Golijov: Falling Out of Time, John Luther Adams: The Become Trilogy, Alexander Scriabin: Le Poème del'extase and Honegger/Schoeck/Mitropoulos: Buried Alive.
I spent my childhood summers on the Reichert family farm near Turtle Lake, Wisconsin, where, inside the red 1880s barn, my uncle Harold played 78rpm records for his cows.
He used a wind-up Victrola sitting on a shelf directly in front of the cows, just below a framed reproduction of an Alpine landscape painting. He said the music and the mountain scene relaxed the cows, causing them to give better milk. Harold played the same Gustav Mahler symphony every day.
The story behind European Audio Team (E.A.T.) is that of one woman, company owner and CEO Jozefína Lichtenegger.
While studying for her MBA at the University of Economics in Bratislava, Slovakia, Lichtenegger (née Krahulkova) sold vacuum tubes for her brother-in-law, Alesa Vaic, then owner of Czech Republicbased tube brand VAIC. After VAIC shuttered in 2003, Lichtenegger founded her own retail business and engaged 100-year-old tube manufacturer Tesla Vrovice to supply 300B and KT88 tubes made to her specifications. When the owner of Tesla retired, she bought the company. She christened her new endeavor E.A.T. (The original Tesla continues as TESLA ElectronTubes, s.r.o.)
Lou Reed: New York
Rhino/Sire R2 628762/603497847556. 1988/2020. Lou Reed, Fred Maher, prods.; Jeffrey Lesser, eng.
Performance *****
Sonics **** (Because vinyl should have been sourced from analog tape.)
It's déjà vu all over again in New York City.
1988: The bankrupt Fear City NYC of the 1970s had given way to the go-go '80s, with many missing the fruits of the Wall Street boom. AIDS ravaged the city, unabated, and a rash of violence and crime fueled by the crack-cocaine epidemic made for a grim underbelly of urban blight and neglect.
For a couple of years, I have been following Prague-based Okto Research. At first, Pavel Krasensky, the founder and hardware developer, offered audio design ideas and DIY modules that I found tantalizing. For example, there was a dandy-looking ESS 9038Pro Sabrebased output module and some appealing power supply modulesbut to use those, the buyer had to manage inputs and integration on their own.
Then, finally, last year, Krasensky released the dac8 PRO, an 8-channel D/A processor with USB input and output, 8 channels of AES/EBU input, and 8 channels of balanced (XLR) analog output as well as a headphone output.
My, how we've grown! The experience that convinced me of the inevitability of streaming was in 2010 with the tiny, tidy Logitech Squeezebox Touch that, despite being discontinued and disowned by its manufacturer, still has a cult-like following. Since then, we have seen an explosion of devices for file playback from local or nonlocal storage and web streams.
"Oh goody!" thought self, to self: "Another Gryphon component to review." As eloquent and revelatory as that statement may be, there's an even more illuminating backstory.
I had been aware of Denmark-based Gryphon Audio since the advent of the Gryphon Exorcist, a now-discontinued demagnetizer that cost far more than your average break-in CD, but I only began to encounter Gryphon electronics at audio shows a few years ago. While at first they seemed available for review only as a complete package, Jim Austin was able to arrange for me to review the Gryphon Ethos CD playerD/A processor ($39,000).
Several audio shows have been canceled or postponed since the COVID-19 pandemic took hold in early 2020: Munich, AXPONA, RMAF, Montreal, and the 2021 Florida Audio Expo, among others. The next scheduled show is the Finest Audio Show, slated for January 910 in Zurich. The next one in the Americas is the inaugural Seattle Audio Fest, planned for July 30August 1. AXPONA, America's biggest show, near Chicago, was recently postponed for the second time until late August. Depending on how the pandemic evolves, it's possible those shows will not be able to take place as planned, either.
Back in June 1994, I reviewed the Bowers & Wilkins John Bowers Silver Signature standmounted loudspeaker. This speaker cost a breathtaking $8000/pair at that time, and I subsequently bought the review samples and their matching slate stands. It was the best-sounding speaker I had used in my Santa Fe listening room: When the company's then-owner, Robert Trunz, visited me a couple of years later, he told me that he hadn't realized how good the Silver Signatures could sound. But after I moved to Brooklyn, in 2000, the Silver Signature never worked as well in my new listening room. I still own the speakers, but they currently live in our storage unit.