LATEST ADDITIONS

Wes Phillips  |  Mar 06, 2007  |  0 comments
I've linked to Locust Street before, but this is one of its best posts ever: a moving account of Buddy Holly's last days, with MP3s of some unreleased home recordings.
Wes Phillips  |  Mar 06, 2007  |  0 comments
Quick, name your favorite equation! For most of us, it's E = mc2, but Euler's ein + 1 = 0 is the one "everyone should know."
Stephen Mejias  |  Mar 05, 2007  |  5 comments
Though I was doing my best to give passengers room to exit the train, I was hopelessly in the way. On some mornings, it's impossible to stand on the train and not be in the way. Everyone scrambles toward the open doors, as if departing this train, right now — right now! — means the world. The world. I think it's because I hate this, that I try to do the opposite. When it's my turn to depart, I move carefully and slowly, perhaps in some futile attempt to show others how gracefully done it can be. Fellow passengers, there is another way. Watch as I move through these doors with such ease and finesse.
Wes Phillips  |  Mar 05, 2007  |  0 comments
Pascal Wyse sure loves musical innuendo.
Wes Phillips  |  Mar 05, 2007  |  0 comments
The Guardian has some further thoughts on "meh." All of which simply points out that Heideas was right when she said that the Simpsons are all about linguistics.
Wes Phillips  |  Mar 05, 2007  |  1 comments
There's a nice interview with New Yorker editor Remnick in The Independent. As a writer, I suppose I should mention how much I identify with all kinds of questions of craft revealed here, but, really, what I most identified with was his anecdote about listening to Bob Dylan records and discovering T. S. Eliot and Rimbaud.
Wes Phillips  |  Mar 05, 2007  |  0 comments
The Dave Brubeck Quartet hits one out of the park in this 1966 performance. The fabulous Eugene Wright looks completely out of place as the only band member without eye-wear.
Stereophile  |  Mar 04, 2007  |  36 comments

Sometimes our favorite music sounds like crap, and sometimes the best-sounding work in our collection is an artistic failure, but we keep the thing anyway. Forget about the quality of the music, what percentage of your music collection sounds great?

Forget about the quality of the music—what percentage of your music collection sounds great?
100%
11% (11 votes)
90%
6% (6 votes)
80%
8% (8 votes)
70%
11% (11 votes)
60%
4% (4 votes)
50%
12% (12 votes)
40%
9% (9 votes)
30%
17% (17 votes)
20%
13% (13 votes)
10%
4% (4 votes)
Less than 10%
4% (4 votes)
Total votes: 99
Paul Messenger  |  Mar 04, 2007  |  0 comments
Oooohh! Aaaahh! Coochy-coo! are not the usual spontaneous reactions from hard-boiled audio journalists to the unveiling of a hi-fi component. Nor is the Silverstone Circuit, the self-proclaimed Home of British Motor Racing, the usual venue for such a launch. But the news that UK audio manufacturer Meridian and Ferrari were cuddling up together on a joint project was enough to drag yours truly halfway across the country to deep Northamptonshire on a miserably wet February morning.
 |  Mar 03, 2007  |  First Published: Mar 04, 2007  |  0 comments
Audiophiles of a certain age may very well have first tasted high-end sound by way of Linn's 1972 Sondek LP12 turntable and/or Naim's 1982 Nait integrated amplifier. There aren't many audio manufacturers that have managed to keep components in production for 25 years (35 for the Linn), but the two venerable British designs have been continuously upgraded over their lives, keeping them competitive.

Pages

X