LATEST ADDITIONS

Stephen Mejias  |  Sep 28, 2005  |  8 comments
Melissa is safe inside now. I just walked her home.
Stephen Mejias  |  Sep 27, 2005  |  4 comments
Lisa Whiteman keeps a blog. I discovered it on May 12, 2003, and I have enjoyed it everyday since. How many days is that?
Wes Phillips  |  Sep 26, 2005  |  0 comments
As we reported August 29, Sony BMG and the Warner Music Group, among others, have begun questioning the now defacto per song price of 99¢ set by Apple's iTunes Music Store.
Wes Phillips  |  Sep 26, 2005  |  0 comments
Rocky Mountain Audio High: The Rocky Mountain Audio Fest will be held at the Denver Marriott Tech Center Hotel (4900 South Syracuse; Denver, CO) from September 30 through October 2. In addition to over 70 demo rooms, there will be seminars and musical entertainment. Details and pre-registration can be found here.
Wes Phillips  |  Sep 26, 2005  |  0 comments
As big a shock as it was to see the Halloween candy and decorations in the stores by mid-September, the real sign that the year is drawing to an end has been the flurry of news concerning the 2006 Consumer Electronics Show (CES) in Las Vegas. This year, CES guarantees that it will refund the registration price of anyone who attends "any of the 2006 International CES conference sessions and fail[s] to gain even one new insight, tip, or piece of information you can use when returning to your place of business."
Stephen Mejias  |  Sep 26, 2005  |  0 comments
I received a voicemail from Eileen on Friday night, which said something like: "You missed my phone call again, and I’m here with Sean and Omar and Allison and Justin and Lauren and Scott and Cheryn, and we’re all waiting for you, and you’re lame."
Kalman Rubinson  |  Sep 25, 2005  |  0 comments
I recently had a house guest who is a music lover and amateur pianist but who had never heard of the SACD or DVD-Audio formats. I explained what they were and demonstrated examples of both, to his amazement. He then blew them off, saying that my system always sounds great and that the average person couldn't or wouldn't afford the kind of equipment I have. But when I told him that there were universal players available for less than $200 at retail and that, in fact, the player I was using was based on a transport drawn from a similar mass-market product, his interest was piqued. Of course, I didn't emphasize that one's expectations may not be the same, or that the boys designing the high-end stuff do make it sound different and, usually, much better. Heck, I'll do whatever I can to hook a music lover on these new formats, even if their future is uncertain. Once he's hooked, audiophilia will have him forever.
Michael Fremer  |  Sep 25, 2005  |  0 comments
A proper speaker installation can take a full day and sometimes part of a second, even in a familiar room. But by the time the sun sets on Day One, the system should be almost there—wherever there is.
Art Dudley  |  Sep 25, 2005  |  0 comments
On the first morning in June I opened all the windows in my listening room and played Classic Records' LP reissue of Dvorák's Cello Concerto (RCA Living Stereo LSC-2490), with Piatigorsky and the Boston Symphony Orchestra. The sunny weather put me in a fine mood, and so did the sound of my music system, which made me feel prouder than usual: Was ever a Linn record player more expertly adjusted? Wasn't I smart for keeping those Lamm monoblock amplifiers? Could a pair of Quads possibly sound better than mine?
Laurence A. Borden  |  Sep 25, 2005  |  0 comments
The introduction in 1982 of the compact disc ushered in the age of digital audio. Audiophiles now have lots of new digital toys and technologies at their disposal, including SACD, DVD-Audio, MP3 players, hard-drive–based CD players, and digital equalization and room correction, to name a few. Videophiles have similarly benefited from digital technology, with an armamentarium that includes high-definition television, DVD-Video, Blu-ray, HD DVD (the latter two still on the horizon), DLP, LCoS, and D-ILA, among others. Action-based films have also benefited from breathtaking, digitally enhanced special effects. Even those of us who still prefer LPs must acknowledge—reluctantly, perhaps—the incredible impact that digital has had on our hobby (footnote 1).

Pages

X