I was saddened to learn of Andrew Hill's death this weekend. Ever since I discovered his intensely original music, his recordings have been touchstones for me, including the brilliant Passing Ships, a record that was actually held back by Blue Note for 35 years as "unreleasable."
Roger Bourland has posted seven YouTube performances of Leonard Cohen's "Hallelujah": Leonard Cohen, Jeff Buckley, Sheryl Crow, Allison Crowe, kd lang, Rufus Wainwright, and John Cale.
A ticket to Home Entertainment 2007—The High Performance Sound & Imaging Show,, to be held May 11-13, 2007 at the Grand Hyatt New York Hotel in New York City, offers attendees a chance to hear live musical performances from some of the great artists of classical music and jazz.
Hugh Barker and Yuval Taylor have written Faking It: the quest for authenticity in popular music, a book that tackles the "pop paradox": the harder popular musicians try to "keep it real," the faker their music becomes.
Over the years, I have used and enjoyed in my audio system large, single-purpose components. Each of these chassis has had but one role: preamplifier, amplifier, digital-to-audio converter (DAC), etc. I guess I've been just a little suspicious of products with multiple functions crammed into a single small chassis; I've figured that the designer may have cut a corner that could affect the sound.
I can't remember a time when I wasn't concerned about power quality. I grew up around finicky, home-brew ham-radio gear and labs full of instruments, and with both, power-conditioning gear was standard fare. When I moved into high-end audio, it seemed obvious that power quality was important. As a result, I've experimented with a wide range of power-conditioning equipment, from simple ferrite loops to huge isolation transformers, and even exotic laboratory power supplies that could vary the voltage, frequency spectrum, and shape of the AC signal.