LATEST ADDITIONS

Jim Austin  |  Jan 14, 2020  |  4 comments
My first exposure to current-mode phono preamplification was maybe a dozen years ago, when such products were new. The one I received, though nicely packaged, was not ready for prime time. I never smelled smoke, but I never heard sound, either: If it wasn't DOA, it was at a minimum DSAA—Dead Soon After Arrival.
Stereophile Staff  |  Jan 13, 2020  |  67 comments
On Friday, January 17 from 5-9pm, Innovative Audio in New York City will debut the Wilson Chronosonic XVX, Wilson's flagship loudspeaker.
Kalman Rubinson  |  Jan 13, 2020  |  2 comments
In September 2019, I made an afternoon visit to National Sawdust, a vibrant, innovative performance space in Williamsburg, Brooklyn, to attend a demonstration of the new Constellation and Spacemap systems installed there by Meyer Sound. According to Meyer Sound designer Steve Ellison, the two systems permit control of the space's acoustics (Constellation) and empower performers and sound designers to construct a soundscape (Spacemap) in which voices, instruments, and other sounds can be located virtually anywhere within as well as beyond the confines of the performance space.
Robert Harley  |  Jan 10, 2020  |  First Published: Aug 01, 1994  |  6 comments
At the 1992 Winter Consumer Electronics Show in Las Vegas, Audio Research showed a line of reference products that represented the pinnacle of founder William Z. Johnson's life work as an amplifier designer. Although the all-tubed, fully balanced preamplifier and tubed monoblock power amplifiers were shown as works-in-progress, it was clear that these were products aimed at advancing the state of the amplifier art with no consideration for cost.
Robert Harley  |  Jan 09, 2020  |  First Published: Aug 01, 1994  |  36 comments
From the front, the LS5 looks identical to Audio Research's popular LS2: two knobs on either side of the Audio Research nameplate, and a row of toggle switches along the bottom. But that's where the similarities end; the LS5 is a completely different animal from the LS2, or even the balanced LS2B.
Herb Reichert  |  Jan 08, 2020  |  50 comments
Tell me now: When you're there in the scene, watching Lord Voldemort chase Han Solo through the Cave of the Klan Bear, how often do you notice that the sounds you're experiencing are being pumped at you from five black-painted room boundaries, while the flickering-light images approach from only one? Moreover, in a parallel, more quotidian reality, you're sitting upright in your seat, noisily chomping popcorn while absorbing—and processing—massive amounts of sensory data: Did you ever consider the sensual, mechanical, and psychological complexity of a moment like this, and how fundamentally unnatural it is?
Ken Micallef  |  Jan 07, 2020  |  9 comments
Of the celebrated triumvirate of John Scofield, Pat Metheny, and Bill Frisell—the most original and influential jazz guitarists of the past 50 years—none is more distinctive, or self-effacing, than Frisell, a true changeling of the guitar. Frisell is a jazz-based musician, but his music crisscrosses genres, and his guitar playing isn't bound to or limited by a specific technique. He's a master illusionist, able to alter a song's meaning far beyond its original intent with the aid of a Telecaster guitar, a modest effects chain, and, most importantly, his rich imagination.
John Atkinson  |  Jan 03, 2020  |  29 comments
When I performed the measurements of the Q Acoustics Concept 500 loudspeaker to accompany Thomas J. Norton's review in March 2019, I was impressed by what I found. The floorstanding Concept 500 offers a high level of audio engineering excellence for its price of $5999.99/pair. When I attended a Q Acoustics press briefing a few months back, where the English company announced the US availability of their stand-mounted Concept 300, I didn't hesitate to ask for a pair to review.
Michael Fremer  |  Jan 03, 2020  |  19 comments
We usually save the question of value for the end of a review, but this time it's worth mentioning up front, if only because PS Audio has been in the news lately. Late last August, the company announced they were switching from a traditional dealer network to a factory-direct sales model. So, to some readers, it might seem fair to judge the brand-new, full-featured Stellar Phono Preamplifier ($2500) against ones selling in stores for $5000.
Art Dudley  |  Jan 02, 2020  |  14 comments
During my first attempt at college, I lived in a dormitory where my next- door neighbors had an informal trade in pharmaceuticals; their most ardent customers were my neighbors across the hall. One of the latter was a fellow named Pete, a good-natured guy (if a bit sanctimonious in his disdain for music he considered insufficiently bluesy) whose heavy rotation list was, at the time, topped by John Fahey's The Voice of the Turtle. I merely disliked the record the first time I heard it, but in the days ahead I came to loathe it. I found it repetitive, masturbatory, technically inept, and dead boring. Pete hated my music, too.

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