LATEST ADDITIONS

Kalman Rubinson  |  Jan 02, 2025
I was fascinated by Herb Reichert's adventures with the KEF KC62 subwoofer, so I borrowed one. Beautifully engineered, contoured, and finished and chock-full of cutting-edge technology, it would be welcome in any room and easily integrated into any system. However, it struck me as not just small but miniaturized, like the meticulously functional samples made for the traveling salesmen of a century past. Since its two force-canceling 6.5" radiators were the same size as or smaller than the midrange drivers in my main speakers at the time, I had low expectations and returned it without comment. That was in 2021.

I asked for a pair of KEF KC92s in early 2024 in the hope that these two relatively small subs would improve my system. Like the KC62, the gloss white cube with radiused edges and white diaphragms is an aesthetic match to our redesigned room, and the KC92 ($1999.99) is chock-full of the same cutting-edge technology.

Herb Reichert  |  Jan 01, 2025
Like romance or car racing, the act of playing records is tactile by design. Like drifting through curves or making out, spinning vinyl is a learned skill that requires users to touch everything with practiced assurance.

To play a disc with Technics' new SL-1300G record player means pushing its round On button, then touching one or more of its rectangular speed selector buttons, then pushing the big square [Start:Stop] button, then unclamping the tonearm and using its cue lever to raise it up.

Next comes the part where my heart beats a little faster: using the headshell's fingerlift to position the arm over the disc and lower it into a groove.

When the needle contacts the groove, the whole system kicks in and sound comes out.

Tom Fine  |  Dec 31, 2024
Before the bits and bytes, before the streams, the music business and its most talented artists, producers, and engineers conjured up a notion of musical-sonic holiness: the perfect album side.

Remember albums? The idea is quaint in the era of streaming, a time of "summer songs," one-hit wonders, meme songs, song snippets on TikTok, songs tied to viral videos, robot-generated playlists, and whatnot. Those of us older than the World Wide Web itself, we remember albums. They were 12" slices of happiness, sadness, escape, epiphany—all the feelings.

Robert Baird  |  Dec 30, 2024
The return of vinyl, which has stayed popular and profitable since its resurgence, has now developed a surprising nuance. Pierre Markotanyos, the owner of the reissue label Return to Analog and Montreal record store Aux 33 Tours (which refers to the speed at which an LP spins), has noticed a distinct change in the makeup of who's buying vinyl these days. "In the late 2000s," Markotanyos reflects, "it was mostly 55-to-70-year-old guys who were coming in, buying records to play on their high-end stereos that they bought at the audio show in Montreal." [Sound familiar, Stereophile readers?] "They were the purists and the true believers."
Sasha Matson  |  Dec 27, 2024
What's in a name? Denmark-based Gryphon Audio Designs laid down a marker when company founder Flemming Rasmussen chose that name in 1985. Browsing through the current Stereophile Recommended Components list, I only found one other manufacturer that utilizes an animal moniker. The imagery summoned by the use of the mythical treasure-guarding Gryphon seems appropriate; a hybrid creature combining features of the eagle and the lion, creatures of strength and speed—this choice underlines some of the aesthetics and performance Gryphon Audio has become known for. The handsome hardcover user's manual for the Diablo 333 simply states in gold "The Gryphon," along with a side-on profile of that winged lion-tailed creature, as a logo.

The Gryphon Diablo 333, a solid state, stereo integrated amplifier ($24,900 without optional DAC and phono stage modules), replaces the Gryphon Diablo 300, which was in production since 2016.

Ken Micallef  |  Dec 27, 2024
On Thursday, December 12, New York City’s Innovative Audio presented the North American debut of four Dynaudio loudspeakers, two of which are brand-new. The event, held at the store’s Midtown location, featured presentations by Dynaudio executives John Quick and Michael Manousselis. Attendees had the opportunity to experience the sound quality and design of these new models.
Ken Micallef  |  Dec 26, 2024
In midsummer 2022, I reviewed the German-made Clearaudio Reference Jubilee turntable, a $30,000 vinyl virtuoso that played music with clear-headed realism, brain-opening transparency, and lifelike speed and dynamics. Its performance was nothing short of exhilarating. It was one of the top three turntables I had ever laid my ears upon.

Clearaudio's house sound, whether from the affordable to the mortgage-busting, is one of refinement, lucidity, clarity, precision, and quietness. Which brings us to the Clearaudio Signature turntable, a joint offering from Clearaudio GmbH and its US distributor, Musical Surroundings.

Alex Halberstadt  |  Dec 24, 2024
"Give me the seduction, give me the pleasure," Ron Sutherland was nearly shouting into the phone. "I want to turn off the analytical mind and just enjoy myself!"

Sutherland speaks in the chipper Midwestern cadences of a comic character actor from the 1940s, sort of like a grown-up Eddie Bracken from The Miracle of Morgan's Creek, and I'd never heard him sound so excited. He was talking about his new phono stage, the Dos Locos, the first product he's designed collaboratively, having enlisted a group of audiophile friends who listened to and critiqued each iteration. "These friends are excellent listeners," Sutherland related, "whereas I'm a gearhead, and don't have the patience or discernment for that kind of listening. Sometimes I'd change something and they'd say, 'You made it worse!'" It sounded like he preferred the group dynamic. "There was something very intimate about this back-and-forth process," he told me. "And compared to working alone, it was a lot more fun!"

Julie Mullins  |  Dec 23, 2024
Myriad distribution factors drive and affect the hi-fi marketplace. Ultimately, these can impact end customer purchasing choices. Recently I've written—including in the December 2024 issue—about evolving new distribution models and how the term's meaning has shifted somewhat: Some companies have been expanding (or in some cases reducing) the kinds of services traditionally provided to exporting international manufacturers.

That made me curious about how business is going for "traditional" distribution companies. That is, companies whose services typically include handling importation, warehousing, shipping, and working with retailer partners and dealers in other capacities. They support retail dealers with the inventory they need.

Kalman Rubinson  |  Dec 19, 2024
Back in 2016, I documented the rise of class-D amps using the early TriPath technology. Used in the Bel Canto eVo 200.2, TriPath cracked open the door to the High End but was never admitted due to a dim and opaque treble. The second wave was based on B&O's ICEpower technology, again via a Bel Canto amplifier, the Ref1000M monoblock. ICEpower had more credibility and was accepted by many but, often, only with, ahem, due consideration for size and efficiency. There was an explosion of new class-D amps in 2016 when Stereophile featured glowing reviews of Bel Canto's e.One Ref600M monoblock, Theta's Prometheus monoblock, and NAD's Masters Series M22 stereo amp, all based on Bruno Putzeys's Hypex NCore technology modules. Finally, it seemed that class-D was "in the room," though, even to this day, there remain critics and quibblers who continue to deny them as true high-fidelity products.

Well, time does not stand still and neither did Bruno Putzeys. He, along with Lars Risbo and Peter Lyngdorf, had founded Purifi in 2015, and in 2019 he unveiled the Purifi Eigentakt power amplifier modules.

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