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The night before AXPONA's official kickoff, Krell's director of product development, Dave Goodman, was still assembling the latest offering from Connecticut's solid-state powerhouse: the yet-to-be-released KSA i400. (With that model name, no prizes for guessing the number of watts per channel.) The Krell and its associated components were set up in a large, cube-like room—on paper, far from ideal acoustically. But what resulted on Friday morning sounded powerful and impressive. I don't mean to say that anything was excessively muscular. Effortless, poised, and relaxed though? You'd best believe it.

As early as 9AM on Friday, April 22, early registrants began wandering the halls of Chicago's Renaissance Schaumburg Hotel and Convention Center. By 9:30AM, the first semi-crazed rush for vinyl old and new had begun in The Record Fair. And by 10AM, music was resounding in all its glory in the 138 exhibit rooms and 10 floors that comprise AXPONA 2022.

Oswalds Mill Audio's products espouse a sort of steam-punk-meets-modern visual style, but the company's philosophies are straight from hi-fi's '50s and '60s glory days, an era when idler-drive turntables, low-power tube amps, and horn-loaded loudspeakers were the norm. That history and hi-fi's future fascinate and inspire Jonathan Weiss, OMA's proprietor.

In 2018, Micha Huber's HiFiction AG, manufacturer of Thales tonearms and turntables, assumed control of EMT Tontechnik, taking over EMT's cartridge business including development, production, repair, and international distribution—with the exception of the EMT broadcast cartridge line for the EU market, which is still distributed by EMT Studiotechnik out of the company's original Black Forest home in Mahlberg, Germany.