You may have heard that many hi-fi companiesmanufacturers, distributors, and dealershave done very well during the pandemic years. Some reported their best years in businessever. With COVID-19 forcing people to stay at home, people sought diversion through home entertainment, including music. The industry benefited.
Back in the mid-1960s, I was the unusual white, suburban preteen who, for reasons I've long pondered and never fully understood, was drawn much less powerfully to the Beatles than to blues and R&B. I was a bit of a jazz snob, too. Given these leanings, it's no surprise that one of the half-dozen or so albums that fried my impressionable young brain was that seamless blend of blues, R&B, and jazz, Ray Charles at Newport.
It had been a while since I'd done any serious, critical listening through headphones. That changed when Editor Jim Austin asked if I wanted to review the iFi Audio ZEN Signature Set ($599). Figuring I could use more Zen in my life, I agreed.
UK-based iFi Audio, which operates under the auspices of the Abbington Global Group, has released several compact products in its ZEN series: DACs, headphone amps, a Bluetooth receiver, and a network streamer.
I enjoy few things more than setting up a turntable. Whether it's for myself or for a friendwhether it's a budget model with a layered MDF plinth and nonadjustable tonearm, or a megabuck, state-of-the-art behemothI relish the ritual.
Back in the day, I used to huff and puff, scream and shake, thanks to the heebie-jeebies I'd get when attempting to raise a turntable to ultimate performance. But with experience comes wisdom. My buddy and Sound & Vision contributor Michael Trei makes turntable setup look like child's play. I've learned by watching Mike that, when a turntable setup tries your patience, the thing to do is keep calm and carry on.
R&B in D.C. 19401960 (Bear Family BCD 17052 16-CD, 2021) adds a new chapter to the Bear Family Records deep dive into American popular culture. Historian/collector Jay Bruder worked with a small army of researchers and editors to compile the beautifully designed book and its accompanying 16-CD discography.
Ortofon had hoped to introduce its new MC Verismo phono cartridge "in person" at one of last fall's North American shows, but those shows never took place. COVID necessitated instead an October 30 live Facebook introduction, the company's first such premier. The next day, AnalogPlanet posted an exclusive interview with Leif Johannsen, the cartridge's designer and Ortofon's chief officer of acoustics and technology.
The $50,000, 176lb Accustic Arts AMP V (pronounced Amp Five) is the heaviest, tallest, most powerful, most expensive stereo amplifier to enter my audio system. With rated power of 900Wpc into 8 ohms, 1360Wpc into 4 ohms, and 1500Wpc into 2 ohms, the AMP V, which stands proud at the top of the Accustic Arts amplifier line, surpasses my reference D'Agostino Progression M550's rated power into 4 ohms by 260Wpc.
At noon on a cloudless, ridiculously bright 97° day, John Atkinson and I auditioned Audeze's new-but-not-yet-released CRBN electrostatic headphones. The audition took place at a sneak preview hosted by Audeze's principal, Sankar Thiagasamudram, in a sleeping room at New York's hipster-chic Ace Hotel on 29th Street and Broadway.
"Resolution can be a tricky thing when it comes to digital," my friend Michael Lavorgna recently told me. "Too much, and my focus shifts from music to sound; too little, and I become less engaged." Lavorgna, a visual artist and proprietor of the online audio-and-music publication Twittering Machines, is one of my favorite people to talk to about records, books, art, and hi-fi. We've been doing it for almost 20 years.