LATEST ADDITIONS

Jim Austin  |  Oct 21, 2020  |  3 comments
Last month, I received so few vinyl reissues that I had to invite a guest writer—jazz critic and political commentator Fred Kaplan—to fill in. Fred had managed to grab an early copy of the excellent Analogue Productions 45rpm reissue of Bill Evans at the Montreux Jazz Festival. I didn't get mine until a week or so after his review was submitted.

This month, I have a tall stack to choose from, so I'll mention several.

Herb Reichert  |  Oct 20, 2020  |  43 comments
It was a "Wow!" audio moment I'll never forget. It happened just after Ladies Who Lunch, our regular Friday afternoon lunch-n-chat for audio poobahs at the Grand Sichuan restaurant in Chelsea. It was dark at 4 o'clock, and the first snow of winter looked enchanting under the 24th Street streetlamps. Audiophiliac Steve Guttenberg and I were accompanying our turntable setter–upper friend Michael Trei to Bob Visintainer's Rhapsody Music and Cinema, where Trei was scheduled to install a Lyra Etna SL cartridge on a TechDAS Air Force III turntable. I tagged along to chatter with Bob and listen with Steve to Alta Audio's tall, open-baffle Titanium Hestia loudspeakers. Rumor had it that this was a happening system.
Stereophile Staff  |  Oct 19, 2020  |  4 comments

LIVE: Tuesday, October 20, 2020 - 12:00PM ET

Join us when T+A discusses their strategy, history and future, along with an in-depth look at their HA 200 headphone amp, HV Series technology, and Solitaire P headphones.

UPDATE: This webinar is now available for replay!

Julie Mullins  |  Oct 19, 2020  |  1 comments
The sense of hope I've been feeling may have started with those Sinatra swells, the on-hold music I heard when I called to interview the first audio dealer I talked to for this story. I wanted to know what's been happening with their businesses during the pandemic. Are there reasons for at least cautious optimism?
Robert Schryer  |  Oct 16, 2020  |  15 comments
I was doing my press beat for Stereophile in the hallway of Montreal's 2019 Audiofest when I glimpsed something that stopped me in my tracks. It was a marketing slogan, across the room on importer/exhibitor Goerner Audio's floorstanding banner: "Tubes or semiconductors? Magneto-solid technology amplifies emotions."
Jim Austin  |  Oct 15, 2020  |  40 comments
I've written before in this space that to me the most wondrous aspect of our avocation (apart from the music) is the way it exists at the intersection of logic and emotion, of science and art. The equipment we use is made by engineers applying scientific principles, yet its goal is to deliver sensual pleasure. Both viewpoints are valid.
Michael Fremer  |  Oct 14, 2020  |  11 comments
At High End Mässan 2015—Stockholm, Sweden's big audio show—Marten planned to show off its finest loudspeaker to the hometown crowd. Marten took the hotel's largest demo room, located at the prime location at the top of the stairs, at the entry point to the 2nd floor exhibition space. There, Marten set up a super system (see photo below) featuring the Coltrane Supreme 2 loudspeaker, a towering monolith probably intended more for Asian consumption than for Swedes to bring home to their modest digs. In preshow demos, the Coltranes filled the large room with impressively transparent and effortless sound that was sure to impress show attendees.
Jason Victor Serinus  |  Oct 13, 2020  |  5 comments
What's Next Vivaldi?
Antonio Vivaldi and others
Patricia Kopatchinskaja, violin; Il Giardino Armonico, Giovanni Antonini, cond. and flute.
Alpha 624 (Auditioned as 24/192 WAV). 2020. Jean-Daniel Noir, prod., edit., master.
Performance *****
Sonics ****

Forget almost everything you know about Vivaldi performance practice, authentic and otherwise, and shush all "shoulds." Banish from your mind any thoughts that all Vivaldi sounds the same. Prepare your ears to hear Vivaldi as you've never heard him before.

John Atkinson  |  Oct 12, 2020  |  0 comments
Two of the followup reviews that were published in the November 2020 issue of Stereophile have been posted to the magazine's website: Herb Reichert on the Yamaha A-S3200 integrated amplifier and the measurements of the Denafrips Ares II and Terminator D/A processors.
Jason Victor Serinus  |  Oct 09, 2020  |  15 comments
Once upon a time, reviews of Musical Fidelity components frequently filled pages in Stereophile. But in all my years covering audio shows, I can't recall blogging about any of the company's products, not even once. So, when my editor offered a review of the new M8xi ($6490), a hefty 101lb dual-mono integrated amplifier that includes a DAC, I seized the opportunity to fill a black hole in my consciousness. (Kindly cast aside thoughts that it would take more than a hunk of audio equipment to fill the black hole in my brain.) As long as I didn't break my back lifting the M8xi, solo, to the top shelf of my rack—for this I humbly beg assistance from spouses, neighbors, and friends—new vistas were in store.

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