LATEST ADDITIONS

Jon Iverson  |  May 04, 1998

There are some wildly different speaker technologies out there with one common goal: accurate reproduction of music. In your experience, which approach works best?

Which speaker technology do you prefer?
Dynamic/Cone drivers
47% (108 votes)
Electrostatic
7% (16 votes)
Electrostatic/Dynamic hybrid
18% (41 votes)
Ribbon
7% (16 votes)
Ribbon/Dynamic hybrid
7% (17 votes)
Horn
3% (8 votes)
Horn/Dynamic hybrid
2% (5 votes)
Other
3% (6 votes)
No preference
5% (12 votes)
Total votes: 229
Barry Willis  |  May 03, 1998
The numbers are up for CDnow. The world's largest online music retailer reported April 30 that its first-quarter sales increased 288% over the same period in 1997. The company took in $10 million in revenue through the period ending March 31, an increase of 26.4% over the previous quarter, in which revenue totaled $7.9 million.
Stereophile Staff  |  May 03, 1998
On May 1, Niles Audio Corporation, Inc., manufacturer of audio/video custom installation components, announced that it had "successfully defended its indoor/outdoor speaker line against would-be imitators."
Jon Iverson  |  May 03, 1998
The Experience Music Project (EMP), a 130,000-square-foot interactive music museum opening in Seattle in 1999, announced on April 30 that it has acquired 19 recently discovered audio tapes of rare Jimi Hendrix recordings from 1969 and 1970.
Stereophile Staff  |  May 03, 1998
Just about a month away, HI-FI '98, The Home Theater & Specialty Audio Show, will interest thousands of audio enthusiasts when it visits The Westin Los Angeles Airport Hotel in Los Angeles, California from Wednesday, June 10 to Sunday, June 14, 1998.
Barry Willis  |  May 03, 1998
Remember when you weren't too busy to make your own cassette tapes to play in the car? How you could link one song to the next by genre or theme or beat or musical key? Remember how much more satisfying it was to listen to those tapes than it was to listen to the radio? No commercials, no announcers, no filler---and you liked every tune.
Barry Willis  |  May 02, 1998
The next generation of streaming media technology was unveiled last week at RealNetworks' Conference '98 in Burlingame, California. The star of the show? "Bandwidth-friendly" RealPlayer G2, which promises to make noisy audio and glitchy video a part of the Web's past.
Robert Baird  |  May 02, 1998
OLU DARA: In the World, from Natchez to New York
Atlantic 83077-2 (CD). 1998. Yves Beauvais, Olu Dara, prods.; Danny Kopelson, eng. Tom Schick, asst. eng. AAD? TT: 47:03
Performance ****
Sonics ****(But see final paragraph.)
Wes Phillips  |  May 02, 1998
My wife's cousin Steve used to sell antiques. Whenever he would display in his shop's window an impeccable (and expensive) item such as a Colonial pie safe, someone would inevitably walk into the shop and demand to know its price. He'd quote a staggering figure, and the browser would get excited. "Why, I have a piece at home exactly the same as that one! Do you think I could get that sort of money for it?" Steve, having learned his lesson the hard way, would be noncommittal.
John Atkinson  |  May 02, 1998
Back in my bass-player days in the 1970s, I used to do a regular cabaret gig, providing musical support for sundry British stand-up comic acts. I flashed back on those days when I recently watched Fierce Creatures, the John Cleese/Jamie Lee Curtis/Kevin Kline/Michael Palin vehicle, on satellite. There, playing the part of a zookeeper, was pint-size comedian Ronnie Corbett, whom I backed a few times. (He always bought the band a bottle of Scotch—you remember stuff like that!) Ronnie used to open his act with the old "They said Thomas Edison was crazy...they said Henry Ford was crazy...they said Albert Einstein was crazy..." gag, which ends with "They said my Uncle Charlie was crazy...actually, my Uncle Charlie was crazy!"

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