LATEST ADDITIONS

On the pretty lucky-sounding 13th floor of the Doubletree by Hilton at SEATAC, LTA and Daedalus Audio presented the larger installment of their two-room partnership. A Red Book file of Patricia Barber's "The Beat Goes On" was distinguished by lovely warmth and a very solid, all of one piece presentation.

There's an established standard protocol one observes when entering a room at an audio show. First, you stand in the doorway and listen for a couple of minutes, then check in with the exhibitor and if necessary, introduce yourself. Next, you exchange pleasantries and catch up while idly thumbing through whatever literature is displayed. Finally, and only at the exhibitor's insistence, you make your way to the best seat in the house while apologizing to everyone you step over, around, and displace. That's not what happened when I visited the NOLA room where Carl (left in photo), Marilyn, and Kristen Marchisotto (right) were overseeing the west coast debut of the $150,000/pair Baby Grand Reference Gold 3 loudspeakers, the midpoint of NOLA's reference series. Stepping into the doorway was as far as I got before bee-lining to the front and center, shoving aside anyone not fast enough to get out of my way.

My first car was a decrepit, mustard-yellow Peugeot 304 with a navy hood. The blue hue wasn't a fashion statement; after an accident, the previous owner had gone to a salvage yard where only a blue replacement could be procured. When he grew sick of the car—because it made him look "like a frickin' ad for Ikea"—I paid him 600 Dutch guilders for the old heap, the equivalent of about $300 US. . .

Years later, when I got into hi-fi, I thought of that car and subsequent ones. What stood out to me most about high-end audio was: separates.

Over a lifetime of involvement in audio, I have had standmount speakers—bookshelf speakers, as they were called back then—only twice. My very first loudspeaker was a vinyl-wrapped fiberboard bookshelf box with no name. It lasted barely a year and was replaced with a two-way system I built with a 12" RCA woofer in a floorstanding bass-reflex cabinet. My second bookshelf system was a Weathers "Book" speaker lashed up to a University dual-voice-coil woofer. I was determined to try that new thing, stereo.

Since then, I've had only floorstanders, home-made and manufactured, and I never seriously considered owning small speakers again except, perhaps, as part of a surround sound system. With that bias, why am I reviewing the B&W 705 S3?