Michael Fremer wrote about the Paradox phono preamplifier in the March 2022 Analog Corner, Jim Austin reviewed the CH Precision D1.5 CD/SACD player/transport in March 2022, and Herb Reichert included the EJ Jordan Marlow standmount speaker in his April 2022 Gramophone Dreams column. All three products get further coverage in Stereophile's May 2022 issue.
In the 1990s, I was a globetrotter, interviewing musicians in diverse locales for several publications. My habit when arriving in London was to hit the duty-free shops for Cuban Montecristo cigars, move on to the newsagent for the latest issues of Hi-Fi News and Hi-Fi Choice, then take a leisurely romp through Oranges & Lemons, Richer Sounds, and Sevenoaks Sound & Visionthree major London audio stores.
Jonathan Ward, a historian of recorded sound, has some surprising news. Thousands of early 78rpm recordings were made not to preserve music but as disposable materials for selling gramophones. With manufacturers hoping to expand their sales globally, demo records featured regional music aimed at appealing to regional.
Axiomatically, audiophile audio is about quality of reproduced sound. Experientially thoughfor me at leastit's about visions in the mind's eye. The older I get, the more attentively I listen to recordings, the more importance I assign to the myriad moving pictures I see between my speakers.
In February 2017, for the first time in almost 20 years, I visited Rega Research's factory in Southend-on-Sea, UK. I found a company that had added to its just-built factory a second building of the same size, had added an upper level within that space, and already was running out of space. Corridors and walkways were being used for assembly and storage.
Have you ever walked through fresh snow in the woods with all your senses heightened? When I did, shortly before the New Year, it was as if I was seeing nature for the first time, through a fresh lens. Never had white-coated surfaces appeared so white. Nor had shapes seemed so magical. It felt as if I had happened upon a pristine landscape unexplored by human or beast.
John Coltrane spent his final years with Impulse! Records, from 1961 until his death, in 1967, at the age of 40. Those years were his most adventurous, as he sorted through every sound he could create in his spiritual quest, as he put it, to "get the one essential." His range of recordings in those years spanned from "Greensleeves" to A Love Supreme, from ballads with pop singer Johnny Hartman to multiphonic fireworks with alto saxophonist Eric Dolphy.
This year's annual audio-industry cocktail/supper ceremony was held in a ballroom-like room that gave the proceedings a bit of an Oscar-night flair. (Our invitation to Will Smith was rescinded in light of current events.)
GO, KLH! The brand has become one of my coup de coeurs—which loosely translates as "darlings of the heart"—based on the two models I've heard at the show, the Model 3 in the Le Studio du Son room and now the Model 5 ($3750 w/stands) in this room.
When I first saw the big black banner on the wall in importer/distributor Asona's room, which was, despite the chronological order of my postings, actually one of the first rooms I'd visited at the show, inscribed in big bold letters with Innuos across it, I thought: "Hey, Innuos, isn't that the company that makes streaming products?