LATEST ADDITIONS

Kalman Rubinson  |  Sep 28, 2020  |  14 comments
On the cold and sunny morning of February 19, 2020, a dozen or so audio critics and writers gathered at Gilmore's Sound Advice on New York's far West Side to see some new NAD and DALI products that had been unveiled the prior month at CES. It was a friendly group, and we kibitzed over coffee before clustering in the arranged seats for presentations and auditions. I doubt any of us realized that it would be the last time for the foreseeable future that we would experience this familiar rite.
Stereophile Staff  |  Sep 25, 2020  |  11 comments
All products listed here have been formally reviewed in Stereophile. We consider all the products listed, regardless of rating, to be genuinely recommendable.

Products are listed in alphabetical order within classes, each followed by a brief description of its performance characteristics and a note indicating the issue of Stereophile in which its review, and in some cases Follow-Up reports, appeared; ie, "Vol.42 No.6" indicates our June 2019 issue.

Julie Mullins  |  Sep 24, 2020  |  15 comments
Access to musical information isn't guaranteed, whether it's limited by the resolution of a recording, your audio system, or an oppressive political regime. George Vatchnadze, concert pianist and dealer in high-end audio equipment, has experience with all three.
Jim Austin  |  Sep 24, 2020  |  13 comments
Harrisburg, Pennsylvania–based hi-fi dealer Now Listen Here is holding a real, live, non-Zoom event this coming weekend, September 26 and 27, 2020, at the Hyatt House in King of Prussia, Pennsylvania, next to the King of Prussia mall.
Alex Halberstadt  |  Sep 23, 2020  |  13 comments
When I was a child, my father was a dealer in black-market records. We lived on what was then the outskirts of Moscow, in what was then the Union of Soviet Socialist Republics. It was the 1970s, and our nation's record stores only sold discs of domestic manufacture, most of them wooly-sounding classical recordings on the Melodiya label. This meant that a healthy contingent of Muscovites valued records smuggled from what they referred to in hushed tones as "The West" more than just about anything else their rubles could buy.
Fred Kaplan  |  Sep 22, 2020  |  11 comments
The late pianist Bill Evans may be the most reissued jazz musician in the catalogs of audiophile record labels. There are reasons for that: He played standards, mainly ballads (many audiophiles shun the avantgarde), almost never in groups larger than trios (stereo systems often do best with small-scale ensembles). Whether by design or chance, his best recordings were miked by superb engineers. Perhaps because of that, proprietors of high-end labels have cherished Evans's music with heightened passion.
John Atkinson  |  Sep 17, 2020  |  45 comments
Although it was founded by ex-Siemens loudspeaker engineer Oliver Göbel in 2003, I am embarrassed to admit that I had never heard of Göbel High End until I visited the room hosted by Florida retailer Bending Wave at the 2019 AXPONA. There, I listened to the German manufacturer's ginormous $220,000/pair Divin Noblesse loudspeakers, which were making their US debut. I was impressed by what I heard. I was interested, therefore, to learn that Göbel was introducing a smaller Divin model, the Marquis, which would not be too large for my listening room and would be priced at $80,000/pair.
Sasha Matson  |  Sep 16, 2020  |  2 comments
Bob Dylan: Rough and Rowdy Ways
Columbia C-250652 194397980991 (2LP; also available on CD and as 24/96 FLAC download) Chris Shaw, eng.; Greg Calbi, mastering.
Performance *****
Sonics ****

The stats alone are impressive—or, as we at Stereophile like to say, the measurements. 79-year-old Bob Dylan's 39th studio album is his first album of original material since 2012. Rough and Rowdy Ways times out at more than 70 minutes of music, due in part to the inclusion of Dylan's lengthiest studio song to date, "Murder Most Foul," which runs 16 minutes, 54 seconds. The LP version requires 2 discs. His tour was supposed to be Never Ending—but it did end, temporarily, because of COVID-19, just as Dylan and the band were set to play Japan.

John Atkinson  |  Sep 15, 2020  |  3 comments
Issue 54 of The Absolute Sound, cover-dated July/August 1988, had arrived in my mailbox. I had been warned that this issue contained a report from Stereophile's third hi-fi show, which had been held in Santa Monica the previous April. Although it wasn't listed in the issue's table of contents, I found the show report on page 186, written by Michael Fremer, who was listed on the magazine's masthead as "Senior Editor: Pop Mix."
Michael Fremer  |  Sep 14, 2020  |  20 comments
I was planning to ignore the big three oh oh—my 300th Analog Corner column—and go about my normal business of covering an assortment of new analog gear and accessories. There's an abundance of those today, 25 years after the publication of my first column. Back then, there was far less to write about: Vinyl was on life support and headed for the obsolete-music-format trash heap atop a pile of Elcasets and 8-track tapes.

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