LATEST ADDITIONS

Mark Henninger  |  Mar 19, 2024  |  11 comments
Ken Songer of Songer Audio must be on to something because his demo led me to experience a heart rate of 141 while listening to "Sharkey's Day" from Laurie Anderson's Mister Heartbreak.
Mark Henninger  |  Mar 19, 2024  |  First Published: Mar 18, 2024  |  6 comments
The Van Zyl Audio Alpine mid-horn speaker ($12,000/pair) is designed to cover a frequency range of 125Hz up to 20kHz. It uses a horn-loaded 8" Tang Band full-range driver that connects to the amplifier directly, free of crossover componentry. The design adds a physically time-aligned AMT tweeter—implemented as a super tweeter—to extend the highs with a simple first-order crossover applied.
Mark Henninger  |  Mar 19, 2024  |  First Published: Mar 18, 2024  |  1 comments
Ted Denney used a top-tier stereo system to demonstrate Synergistic Research's latest product, the Voodoo Streaming Server ($14,995), at the inaugural Southwest Audio Fest. The demo also included the Vibratron SX ($3995), a passive resonator design from the company's early days.
Mark Henninger  |  Mar 19, 2024  |  First Published: Mar 18, 2024  |  0 comments
With the consumer version of the Planet Venus Spectral Coherence Control Essential plugin ($189), adventurous audiophiles can experiment with removing distortion inherent to a recording, independent of the playback system.
Mark Henninger  |  Mar 19, 2024  |  1 comments
Some fresh, high quality products making their U.S. show debuts—not to mention the excellent sound quality that was achieved—made this system a fun one to audition.
Mark Henninger  |  Mar 15, 2024  |  10 comments
An audio show is born: the inaugural Southwest Audio Fest (SWAF), taking place on March 15-17 in Dallas, Texas, at the Hilton Anatole hotel.
Stereophile Staff  |  Mar 15, 2024  |  3 comments
Every product listed here has been reviewed in Stereophile. Everything on the list, regardless of rating, is genuinely recommendable. Within each category, products are listed by class; within each class, they're in alphabetical order, followed by their price, a review synopsis, and a note indicating the issues in which the review, and any subsequent follow-up reports, appeared.
Kalman Rubinson  |  Mar 14, 2024  |  5 comments
One thing that interested me about the StormAudio ISP Evo is that, despite its obvious hi-fi function, it's more like a computer than a typical "prepro." While it does offer a few "legacy" analog inputs, it is for the most part all-digital, input to output, including network connections on both ends. Consequently, it is less likely to leave sonic fingerprints on the music than devices that convert digital to/from analog or modulate their signals with active amplification or attenuation. It is notable that, despite its audio function, the Storm completely lacks traditional audio specifications—distortion, dynamic range, and so on.

Yes, that aspect of the product was appealing, but the real trigger for me was that when I began this review, the StormAudio ISP Evo was the only consumer device to fully incorporate the latest version of Dirac Live Active Room Treatment (ART).

Stephen Francis Vasta  |  Mar 13, 2024  |  0 comments
Wagner: Famous Opera Scenes
Nikolai Lugansky (piano)
Harmonia Mundi HMM 902393 (CD). Nicolas Bartholomée, prod.; Bartholomée, Ambroise Helmlinger, engs.
Performance ****
Sonics *****

Concert arrangements of operatic themes for piano, like Liszt's famous concert paraphrases, obviously provide an opportunity to display one's virtuosic keyboard technique. As Denis Morrier's program note for Harmonia Mundi indicates, however, transcriptions of Wagner served a second important purpose: spreading awareness of the composer's operas when they only played in a limited number of venues. There was no Spotify or Idagio back then!

Jim Austin  |  Mar 12, 2024  |  18 comments
Recently, I found myself in an email conversation with two colleagues on the nature of reproduced audio. How should we think about it? The conversation was provoked by a "hybrid" (live and online) presentation of the Pacific Northwest section of the Audio Engineering Society called "What Does 'Accurate' Even Mean?" The presenter was James D. "JJ" Johnston, a distinguished researcher in the field of perceptual audio coding and a co-inventor of MP3.

Among many other honors, Johnston was selected to present the Richard Heyser Memorial Lecture at the 2012 AES convention—an honor shared by our own John Atkinson, who had given that lecture the previous year and was one of the participants in this email conversation. The other was Tom Fine—so, it was me and two sound engineers.

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