LATEST ADDITIONS

Herb Reichert  |  Nov 28, 2017  |  8 comments
I spend my days comparing cartridges and speaker stands, arguing about imaging and microphone placement, speculating about DAC filters, and lately, sometimes, very secretly listening to headphones connected not to commercially available headphone amplifiers but directly to the outputs of basic tubed and solid-state power amplifiers. No person in his right mind would or should try this—it's too easy to destroy a pair of delicate, expensive headphones. But for me, it's been worth the risk.
Robert Baird  |  Nov 27, 2017  |  2 comments
Finally, a Replacements Live Album!
Jason Victor Serinus  |  Nov 26, 2017  |  5 comments
Overflowing with heart, Brahms' three Trios for violin, cello, and piano are amongst the most venerated chamber works in the literature. Completed over a span of 35 years, they reveal Brahms forever true to his love and longing. Again and again it surfaces, expressed through an irrepressible love for melody, Hungarian and gypsy sentiments, romance and drama that sings and sighs at its most vulnerable in this special, two-disc Sony recording of the Brahms Piano Trios from cellist Yo-Yo Ma, pianist Emanuel Ax, and violinist Leonidas Kavakos.
Robert Baird  |  Nov 24, 2017  |  1 comments
Indie Rock Guitar Hero Dead at 59.
Fred Kaplan  |  Nov 23, 2017  |  1 comments
For 13 years now, Maria Schneider and her Jazz Orchestra have played Thanksgiving week at the Jazz Standard in New York City, and, judging from the late set on Tuesday, they just keep getting better and better.
Jana Dagdagan  |  Nov 22, 2017  |  10 comments
Here's our final report from the New York Audio Show. Thank you to everyone who watched our previous videos, all of which featured Herb Reichert (left above in JA's photo) and gave us feedback—positive and otherwise. We started making these videos as a response to feedback, and will continue monitoring feedback to help improve our future videos.
Jim Austin  |  Nov 22, 2017  |  26 comments
Years ago, when I was young and foolish (instead of old and foolish, as now), I was hanging out with a friend at a strip-mall strip club in a small southeastern city. A youngish lady approached our table in G-string and pasties and did a tableside dance. My friend's jaw scraped the floor; I, noting her lack of enthusiasm, was unmoved. The stripper noted my impassivity and stated, with irony that at the time I somehow missed, "You're a hard man."

John Atkinson, too, is a hard man, at least when it comes to audio gear. When, in January 2014, he reviewed the Pass Laboratories XA60.5 monoblock amplifier, he concluded, "It is the best-sounding amplifier I have ever used." High praise.

Jana Dagdagan  |  Nov 22, 2017  |  7 comments
Captured in the corridor: Music Hall's Roy Hall (left) tells Herb Reichert about a system tweak that always results in better sound.

Here’s our second (of three) video show reports from the New York Audio Show that took place earlier this month at Manhattan’s Park Lane Hotel.

Ken Micallef  |  Nov 21, 2017  |  3 comments
As a kid growing up in Milford, Michigan, my big brother always had the classiest clothes, latest records, and sharpest gear. He danced in Cuban-heeled leather boots, I climbed trees in lace-up Keds. He spun Rolling Stones vinyl on a fabric-wrapped Zenith portable with detachable speakers, I blasted the Beatles from a tinny transistor radio. Ten years my senior, big bro drove a Buick bomb (which, late one night, mysteriously caught fire in the garage) and had a girlfriend, Gail, whose plump cheeks and smart clothes embodied modern mid-century Midwestern appeal. I like to think that my brother and I have both aged gracefully. And lately, he's taken to high-end hi-fi with a passion.
John Atkinson  |  Nov 20, 2017  |  17 comments
Headphone listening has always been an important part of my audiophile life. In recent years I've been using at home Audeze's large, open-back, circumaural LCD-X headphones, which I bought after reviewing them for the March 2014 issue; and a pair of small Ultimate Ears 18 Pro in-ear monitors, which provide much better isolation on my subway commute to Stereophile's offices in Manhattan. I was intrigued by Audeze's iSine in-ear models, which were introduced in November 2016 and are unique in using planar-magnetic drive-units mounted outside the ear. I thought about reviewing a pair of the affordable iSines, but before I could get around to it, I heard that Audeze was to launch a cost-no-object version, the LCDi4, priced at a substantial $2495/pair. Aspiration got the better of frugality, and I asked for a pair to review.

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