LATEST ADDITIONS

John Atkinson  |  Jun 20, 2017  |  14 comments
For digital playback, in recent months I've been breathing some rarefied air, pricewise. In December 2016, I reviewed dCS's Rossini Player and Clock, followed in May 2017 by Meridian's Ultra DAC, and in June by Chord's DAVE DAC. The Rossini Player costs $28,499 without the Clock, the Meridian $23,000, and though the DAVE is less expensive than either at $10,588, that's still a fair chunk of change. Even PS Audio's PerfectWave DirectStream DAC, which I bought following Art Dudley's review in September 2014, costs $6899 with the Network Bridge II, which hardly counts as "affordable."
Stereophile Staff  |  Jun 20, 2017  |  0 comments
Thursday evening, June 22, 5–9pm, F1 Audio (311 E Dundee Road, Palatine, IL 60074) is holding an event featuring Evolution series loudspeakers and electronics from TAD Labs and Isotek power conditioners. Attendees will also be able to audition rare, out-of-print Mobile Fidelity albums and test pressings from MoFi's UltraDisc One-Step series and take a test drive in the new Porsche 718 Boxster S and Macan Turbo, courtesy of The Porsche Exchange of Highland Park.
Jana Dagdagan  |  Jun 18, 2017  |  8 comments
At the Los Angeles Audio Show, held June 2–4, John Atkinson spoke with Elac's Andrew Jones about speaker design, building affordable loudspeakers, and Elac's Adante AF-61 speaker, which made its debut at the show, driven by Audio Alchemy amplification.
Jason Victor Serinus  |  Jun 17, 2017  |  0 comments
Want to go from yang to ying by the simple switch of a silver disc? Try seguing from the two supremely energetic, densely populated chamber symphonies of Pulitzer Prize-winning composer John Adams (b. 1947), which we explored last week, to the far milder and less complicated choral work, Canticles of the Holy Wind (Cantaloupe) from the other Pulitzer Prize in Music-winning Adams, John Luther Adams (b. 1953).
Fred Kaplan  |  Jun 17, 2017  |  4 comments
In 2014, Chad Kassem, proprietor of Acoustic Sounds and Analogue Productions, released a 200-gram QRP vinyl pressing of Masterpieces by Ellington, one of the Duke's least-known but possibly finest and finest-sounding albums, to wild acclaim and (by audiophile standards) brisk sales. Now he's put it out at 45rpm, and while the 33 was a startler, the new version—spread out on two LPs, to accommodate the wider grooves—will leave you breathless.
Robert Baird  |  Jun 16, 2017  |  1 comments
The Dickinson brothers are traditionalists and modern proponents of the kind of music that was celebrated in American Epic.
Michael Fremer  |  Jun 15, 2017  |  0 comments
Maybe you've seen the widely circulated New Yorker cartoon: Two guys stand in front of a nicely drawn, tubed audio system, under which are shelves full of LPs. One guy says, "The two things that really drew me to vinyl were the expense and the inconvenience."

If you can't laugh at that, you've lost your sense of humor—even acknowledging that, oddly, convenience is the raison d'etre of some recent phono preamplifiers—including Dan D'Agostino Audio's Momentum and the CH Precision P1, both of which offer multiple, switchable, configurable inputs saved in memory. Today's well-heeled vinyl enthusiast might have two or more tonearms mounted on a single turntable—or even two turntables, each with two arms. Zesto Audio's new Andros Téssera tubed phono preamplifier takes aim at that market segment.

Jason Victor Serinus  |  Jun 15, 2017  |  12 comments
Three years ago, when I first heard Audionet's Max monoblock power amplifiers, I described their pairing with YG Acoustics Hailey loudspeakers "an absolute winner" and "definitely one of the finer systems at T.H.E. Show Newport Beach." At subsequent audio shows, no fewer than four other Stereophile Contributing Editors enthused about different pairings of YG loudspeakers with Audionet amplification. Herb Reichert, at the 2014 Rocky Mountain Audio Fest: "Everything had a kind of just right quality. Totally impressive!" Sasha Matson, at RMAF 2015: "Marvelous" on vocals, "rockin' and tight" on bass and drums. John Atkinson, at T.H.E. Show 2016: "Duke Ellington's classic Jazz Party in Stereo . . . was reproduced with terrific dynamics." Larry Greenhill at the 2017 Consumer Electronics Show on the sound in the YG Acoustics room, which included Audionet's Max monoblocks: "the sound on playback of Jake Shimabukuro's ukulele wizardry came closer to matching his live performance than in most rooms."
Stereophile Staff  |  Jun 13, 2017  |  3 comments
Zesto's Téssara tube phono preamplifier takes pride of place on the July Stereophile's cover, to accompany Mikey Fremer's review inside. Add to that Jason Victor Serinus on the expensive Audionet Max monoblocks from Germany, John Atkinson on an affordable DAC from Arcam, Larry Greenhill on the awesome No.536 monoblock from the revitalized Mark Levinson company, Art Dudley on the Lamm L.21 preamplifier and the Serbian Soulines Kubrick DCX turntable, and Herb Reichert on turntables from Analogueworks and Palmer, and you'll see why we think this issue is rad! (JA's daughter says "Don't say that, Daddy.")
Steve Guttenberg  |  Jun 13, 2017  |  100 comments
There are no ifs, ands, or buts about it: Headphones sound different from speakers. For different reasons, I like both, but all speakers come with one undeniable disadvantage: the room you play them in. I don't care if you're running pint-size Falcon Acoustics LS3/5a's or giant Wilson Audio Alexandria XLFs—they're at the mercy of your room's acoustics. Losses are inevitable.

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