Stereophile Staff  |  Apr 20, 2003  |  0 comments
While doing background on the InnerSound Eros Mk.III electrostatic loudspeaker, Larry Greenhill discovers that "the presidents of all three American ESL companies share common names." But do they share a common sound? Greenhill investigates.
Barry Willis  |  Apr 20, 2003  |  0 comments
Over the past few years, PS Audio's P300 AC regenerator has been very well received by the audiophile community, winning praise (and a Stereophile "Recommended Components" listing) for its ability to lower the noise floor to vanishing levels and to extract unforeseen levels of performance from users' hi-fi systems. Good as it is, the P300 disappointed some because it can't supply enough current for power amps or other juice-hungry gear needing more than its 300W maximum. Some users also complained that despite the sonic improvement offered, the P300 was too bulky for its power rating, ran too hot, and drew too much current when simply idling.
Larry Greenhill  |  Apr 20, 2003  |  0 comments
I was trading e-mails with Roger Sanders, manufacturer of the Eros Mk.III electrostatic (ESL) loudspeakers, when it occurred to me to ask him about his name. I was struck that he had the same last name as Gayle Sanders, president of another American electrostatic speaker company, MartinLogan. Were they related? "No," replied Roger Sanders, "it's simply a coincidence that we have similar names. I've never even met him.
Art Dudley  |  Apr 20, 2003  |  0 comments
The best tonearm I ever heard was a second-generation Mission Mechanic, ca 1986. It was mounted on a Roksan Xerxes turntable, and I spent several happy hours listening to records on that combination (with a low-compliance EMT cartridge) in two very different systems: one with solid-state amplification from DNM and Roksan's own dynamic Darius loudspeakers, and the other—my home system of the time—using tube amplification from Conrad-Johnson and a borrowed pair of Stax electrostatic speakers.
Jon Iverson  |  Apr 13, 2003  |  0 comments
On April 8, Recoton Corporation voluntarily revealed that it and all of its US-based subsidiaries filed for bankruptcy protection in the United States Bankruptcy Court for the Southern District of New York under Chapter 11 of the United States Bankruptcy Code.
Stereophile Staff  |  Apr 13, 2003  |  0 comments
Stereophile was saddened to learn of the death of Herb Papier earlier this month. He was 86. A musician—he was an amateur trumpeter—music lover, and inventor, Papier was best known in the audiophile community as the designer and original manufacturer of the Wheaton Tri-Planar tonearm.
Jon Iverson  |  Apr 13, 2003  |  0 comments
The music industry is facing its toughest business climate in recent memory, and slow sales are hurting not only the record labels, but music retailers as well. In the face of continuing sales declines, store closings, mergers and consolidations, layoffs, and seemingly intractable digital distribution issues, the industry came together last month for its annual National Association of Recording Merchandisers (NARM) convention and trade show in Orlando, FL.
Barry Willis  |  Apr 13, 2003  |  0 comments
If a recent announcement by the nation's largest radio broadcaster is any indication of a trend, independent music promoters may be on their way to extinction.
Barry Willis  |  Apr 13, 2003  |  0 comments
A month after news of Apple Computer's start-up subscription music service, reports began circulating that the company was negotiating to buy Universal Music Group, the dominant player in the global music market. The rumored buyout, first reported April 10, was variously quoted at $5–6 billion. The discussions between Apple and UMG may have been blown out of proportion; by April 12 the New York Times was suggesting that Apple might invest in UMG, but was in no position to make an outright acquisition.
Stereophile Staff  |  Apr 13, 2003  |  0 comments
Michael Fremer almost grasps upsampling when he looks into the dCS Verdi SACD transport, Purcell D/D converter, and Elgar Plus D/A converter. MF notes, "Explaining what you get for your $34k is somewhat easier than explaining upsampling, but due to the dCS gear's enormous flexibility and multitude of features, it's not that much easier."