Michael Fremer  |  Apr 13, 2003  |  0 comments
Well into dCS managing director Mike Story's attempted explanation of upsampling, there came an epic moment when the ever-expanding universe of his thoughts—which we had been following to new heights of digital enlightenment—broke free of our collective grip, snapped back on itself, and caused a conceptual implosion of nearly cataclysmic proportions. The blank, spent expressions on the faces of the journalists gathered in the small attic-like meeting room at dCS's Great Chesterford (UK) facility all seemed to say, "What the hell was that? Was it just me, or did you feel that too?"
Art Dudley  |  Apr 13, 2003  |  0 comments
We were having trouble with the power in our home—the wall current, I mean, not the dynamics of our marriage—so I called the local utility. While the technician was here, he let me watch what he was doing. I had a chance to look inside our meter box, which is the junction between the utility's power lines and the circuit-breaker box in the cellar.
Robert Baird  |  Apr 13, 2003  |  0 comments
ROSANNE CASH: Rules of Travel
Capitol CDP 8 37757 (CD). 2003. John Leventhal, prod., eng. AAD. TT: 39:07
Performance *****
Sonics ****
Barry Willis  |  Apr 06, 2003  |  0 comments
Webcasters will pay a new royalty rate to the recording industry, as of April 3.
Stereophile Staff  |  Apr 06, 2003  |  0 comments
Back in 1996, Martin Colloms reviewed the Krell KAV-300i integrated amplifier, asking, "Is Krell risking its reputation?" He needn't have worried, as the 300i has gone on to become a popular audiophile classic.
Jon Iverson  |  Apr 06, 2003  |  0 comments
The DVD-Audio format's been around for a couple of years, but simultaneous DVD-A and CD releases of new music have been few and far between. Warner Brothers is hoping to improve on that record with the upcoming album from Fleetwood Mac, Say You Will.
Barry Willis  |  Apr 06, 2003  |  0 comments
The music industry has taken its war against piracy into a new realm.
Stereophile Staff  |  Apr 06, 2003  |  0 comments
"Rarely, if ever, can this densely written sonata have been presented so lucidly with each note precisely in place...the dramatic and lyrical aspects were never slighted or taken for granted."
—Peter G. Davis, writing in the New York Times about Robert Silverman's New York debut in 1978, when he performed the Liszt B-Minor Piano Sonata in Alice Tully Hall.
Jon Iverson, Michael Fremer  |  Apr 05, 2003  |  First Published: Apr 06, 2003  |  0 comments
At the 2003 Consumer Electronics Show in January—see the report in this issue—Sony and Philips held an SACD Event at the Hard Rock Hotel in Las Vegas. There were trippy lights. There were the Grand Pooh-Bahs of Sony, Philips, and the record labels. There was loud multichannel Big Brother and the Holding Company. And there was Sony's main SACD man in the US, David Kawakami, supplying the pep talk.
Barry Willis  |  Mar 30, 2003  |  0 comments
Alleged unauthorized copying of compact discs will cost Technicolor, Inc. approximately $2.3 million. On March 26, the Southern California disc replicator agreed to settle a case brought against it last year by the Recording Industry Association of America (RIAA), in which the RIAA charged that workers at one of Technicolor's disc plants had made and distributed batches of illegal copies. The total of the settlement was less than 10% of the amount originally sought by the RIAA.