Filed under
Stereophile Staff Posted: Jun 07, 2004 0 comments
The Home Entertainment 2004 East Show, held in New York City, May 20–23, at the New York Hilton & Towers, gave Show attendees a memorable weekend filled with live music, educational seminars, a special movie night, and a grand concert—all included with the price of admission to the Show.
Michael Fremer Posted: Jun 06, 2004 Published: Dec 01, 2001 0 comments
"Moi? You want moi to review a French audio product?"
Shannon Dickson Posted: Jun 06, 2004 Published: Sep 01, 1999 0 comments
The Jeff Rowland Design Group has long been renowned for the exquisite quality of its chassis. The company was one of the first to promote fully balanced topologies in preamplifiers and amplifiers in the high-end market, one of the first to offer a sonically acceptable remote control, and one of the few to offer a battery power option for their amplifier line.
Filed under
Jonathan Scull Posted: Jun 06, 2004 Published: Dec 01, 1999 0 comments
I suppose that most high-end designers dream about making a Statement Product—their best effort, without regard for price. Victor Khomenko, majordomo of Balanced Audio Technology, got the bug and came up with the VK-50SE. This hugely full-functioned line-stage preamp derives its Special Edition (SE) moniker from the eight hot-running, super-hush-hush Russian 6H30 Reflector SuperTubes that populate the circuit board.
Jonathan Scull Posted: Jun 06, 2004 Published: Jun 01, 1999 0 comments
Pass Laboratories' X amplifier series represents the efforts of designer Nelson Pass to prove that simple linear amplifier topologies can be scaled to provide high-quality audio performance at very high power levels. The handsome X1000 monoblock under scrutiny here, the largest and most powerful amp in the Pass stable, makes 1000W into 8 ohms and a mighty 2000W into 4 ohms. The amplifier has no global negative feedback, and only two gain stages: the front-end provides all the voltage gain and feeds a high-current follower stage.
Filed under
Barry Willis Posted: Jun 06, 2004 0 comments
Clear Channel Communications, Inc. has settled the first of what could be a long string of lawsuits over its purportedly monopolistic marketing tactics.
Filed under
Barry Willis Posted: May 31, 2004 Published: Jun 01, 2004 0 comments
RIAA lawsuits continue: Each month the recording industry launches a few hundred more lawsuits against suspected file-swappers, with such tedious regularity that we could simply re-run the previous month's news with a new figure inserted. This time around, the Recording Industry Association of America announced May 24 that it had filed suit against 493 more people believed to have illegally shared music over the Internet. Known only by their screen names and IP addresses, the unnamed defendants are subscribers with Internet service providers in Alabama, Arizona, California, Colorado, Georgia, Iowa, Illinois, Indiana, Kansas, Kentucky, New Jersey, New York, Minnesota, Missouri, Pennsylvania, South Dakota, and Texas. Unlike recent suits, none of the current crop involves college students or university networks. To date approximately 3000 people have been sued by the music industry; 486 have settled, paying damages that averaged $3000 each.
Filed under
Barry Willis Posted: May 31, 2004 0 comments
Most manufacturers who advertise in Stereophile hype an exquisite blend of old world craftsmanship and high technology. The gambit is particularly common in the business of selling loudspeakers, where ad copy pushes the sonic advantages of the latest ultra-stiff, indestructible, and nearly weightless cone materials such as Kevlar, carbon-fiber, anodized aluminum, or platinum-plated titanium.
Filed under
Stereophile Staff Posted: May 31, 2004 0 comments
"It costs as much as a car—and not a used jalopy, either," remarks Michael Fremer. "That's what goes through your head as you contemplate this magnificent $20,190 piece of audio jewelry." The jewelry in question is the Jadis RC JP80 MC Mk.II preamplifier, which MF compliments for "breathtaking" workmanship and parts quality. He also listens to the thing and reveals what some might consider the most important part: how it sounds.
Filed under
Jon Iverson Posted: May 31, 2004 0 comments
There are several easy ways to start arguments among music fans: ask for a list of the most significant albums of all time, or who the greatest songwriters are, or the best bands, or ask which albums sported the all-time greatest covers.