LATEST ADDITIONS

Jon Iverson  |  Jun 06, 2005  |  0 comments
With new music download services, including the move to higher resolutions, one vital question still remains for the music business: Will the majority of consumers prefer to continue purchasing music à la carte, one track or album at a time, or will they prefer to subscribe to an unlimited library?
John Atkinson  |  Jun 05, 2005  |  0 comments
Not every interesting audio component gets a full review in Stereophile. Many more products are covered in Sam Tellig's, Art Dudley's, Michael Fremer's, Kal Rubinson's, and John Marks' regular columns than I have the space to publish measurements for. However, I do ask for samples of products that I feel deserve to be measured, particularly when our original coverage raised more questions than it answered.
Jonathan Scull  |  Jun 05, 2005  |  First Published: Sep 05, 1997  |  0 comments
I'm always eager to fulfill my prime Stereophile directive: "To go where no audiophile has gone before," as JA often quips. As it happens, I've long suffered an itch to audition OTL (output-transformer–less) amplifiers, wondering how eliminating the output transformer might affect the sound. Enter the Graaf GM 200, with nothing but wire between its power tubes and the crossover.
John Atkinson, Larry Archibald  |  Jun 05, 2005  |  First Published: Sep 05, 1997  |  0 comments
An acquaintance in the world of CD distribution recently gave me an astonishing statistic: that the average classical title sells fewer than 2000 copies worldwide in its first year of release; which in turn means that many titles sell only about 500 copies! Given that the cost of producing a classical orchestral album can include up to $100,000 in union-mandated musician fees, such minimal sales guarantee financial disaster.
Robert Baird  |  Jun 05, 2005  |  First Published: Jan 05, 1997  |  0 comments
Please let me explain. Because I've never been especially adept at making lifelong commitments and irrevocable decisions, when it came to naming this new column, Managing Editor Debbie Starr and I decided that we would gather the passionate (and supremely efficient) minds of the Stereophile production staff, add a near–life-threatening amount of margaritas, and put the question to them.
Wes Phillips  |  Jun 05, 2005  |  0 comments
Starting on Sunday, June 4, and continuing through Friday, June 10, the British Broadcasting Corporation (BBC) will broadcast all of Beethoven's compositions as "The Beethoven Experience."
Wes Phillips  |  Jun 05, 2005  |  0 comments
Magnolia Audio, the upscale west-coast subsidiary of Best Buy, has signed an agreement with ReadyTo Play, a Palo Alto, CA–based digital music company, to offer in-store and point-of-sale promotion of RTP's CD ripping service to Magnolia's customers.
Wes Phillips  |  May 30, 2005  |  0 comments
Ruth Laredo, a classical pianist whose style combined passionate ferocity with refined elegance, died May 25 of ovarian cancer, which she had battled for four years. Her last performance was May 6 at the Metropolitan Museum of Art, in one of her long-running performance/lecture sessions known as "Concertos with Commentary," a format that was so popular that she had begun to offer it in other venues around the world.
Stereophile Staff  |  May 30, 2005  |  0 comments
The Home Entertainment 2005 Show, held April 28–May 1 at the New York Hilton in Manhattan, was a highly charged four-day event filled with live music, education, and the latest in convergence technologies combining the worlds of high-end audio, music, home theater, computing, and gaming.
Sam Tellig  |  May 30, 2005  |  First Published: Dec 01, 2004  |  0 comments
The X-DAC v3 replaces Musical Fidelity's Tri-Vista 21 DAC, which is no longer in production, although you might find some on dealer's shelves. The Tri-Vista 21 used two pairs of subminiature 5703 WB military tubes in the analog output stage. MF's Antony Michaelson called this Cold War tube, which is no longer made, a trivistor. The Tri-Vista 21 was last seen selling for $2395.

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