"While in residence at the Baltimore Museum of Industry during the last two years, Catherine Wagner was given access to their 50,000+ collection of historic light bulbs, one of the premier collections of vintage and antique light bulbs in the United States, with lights dating from the early 19th century. The resulting series of photographs titled A Narrative History of the Light Bulb embodies both sculptural installation and photography. Wagner creates arrangements of bulbs that she then photographs with an 8 by 10 view camera in order to record the glass enclosures and the delicate filaments in stunning detail. Wagner’s work has long been noted for its investigation of the dissemination of knowledge and the construction of culture and these new works follow in her trajectory of providing access to the close scrutiny of scientific objects."
I've mentioned my problem with sleep. It's not that I can't fall asleep. I'm usually so tired that I'm completely gone before my head meets pillow. I could go to bed at 7pm and fall asleep, no problem. I'm half-asleep right now.
When John Atkinson and I were driving from Kansas to New Mexico after recording Rendezvous, we spotted a crop duster spraying a roadside field. I was stunned by his precision at high speed—and by the exuberant loops with which he terminated each run. It looked incredibly difficult, and also like he was having a ball.
Somehow, the November issue of Technology Review made it to the top of my Empire State Building pile of unread magazines and I happened upon this fascinating recollection by Freeman Dyson about working for the Operational Research Section during WWII.