LATEST ADDITIONS

Wes Phillips  |  Jan 30, 1998  |  0 comments
Chances are you've never seen an amplifier quite like the Mark Levinson No.33H. That's because there's only one other amp that's anything like it: the Mark Levinson No.33, upon which it's based. Both amps are more tall than broad, looking almost as though they're resting on their ends; heatsinks cluster around their side-panels. In the city of the High End, the No.33 and No.33H are skyscrapers standing tall above the warehouses.
Stereophile Staff  |  Jan 29, 1998  |  0 comments
Attention all you amateur speaker designers furiously creating the world's next revolutionary crossover or cabinet design in your garage: Meniscus Audio, a manufacturer of loudspeakers that sells directly to consumers through mail-order marketing programs, has announced a loudspeaker design contest that offers the winner the opportunity to have his or her design developed for distribution as a kit. First- and second-place prizes will also be awarded.
Barry Willis  |  Jan 29, 1998  |  0 comments
Silicon Valley, Jan. 28---John Sunier, host of the nationally syndicated radio program Audiophile Audition, and I were here last night at Cogswell College for an Audio Engineering Society-hosted lecture and demonstration by MedianiX. The Mountain View-based semiconductor company has pioneered a "virtual multi-axis" ("VMAx") surround-sound technology using only one pair of closely spaced loudspeakers.
Stereophile  |  Jan 25, 1998  |  0 comments

Conventional wisdom has always held that a pair of speakers can make the biggest difference in how a system sounds. But these days other components may be equally or more important, depending on the situation.

What, in your opinion, has the greatest effect on a system's "sound"?
Speakers
38% (163 votes)
Amplifier/Preamp
6% (26 votes)
Source: CD player or turntable, etc.
9% (38 votes)
Cables and tweaks
1% (5 votes)
The room
18% (77 votes)
Listener's state of mind
6% (25 votes)
Equal amounts of everything
21% (90 votes)
Total votes: 424
Stereophile Staff  |  Jan 25, 1998  |  0 comments
Billboard Magazine announced an agreement this week with Liquid Audio, a developer of secure music-delivery systems on the Internet, to make Billboard's extensive database of album reviews and audio previews available through Billboard Online. The audio portion will be provided in Liquid Audio format by the Music Previews Network, the company that provides Music Previews for Billboard Online.
Noj Nosrevi  |  Jan 25, 1998  |  0 comments
In a covert sting operation launched by Stereofool's competitor, Big iF magazine, 24-bit/96kHz tapes have just surfaced revealing a conversation Stereofool editor Acker Johnson (AJ) had with a local dealer in used audio equipment.
Jon Iverson  |  Jan 22, 1998  |  0 comments
The dirty little secret about consumer CD recorders has recently been getting out: In order to record on one of the new "inexpensive" consumer CD machines from such manufacturers as Pioneer or Philips, you have to purchase special "consumer audio" CD-Rs that can cost three to four times as much as the same CD-R formatted for use with a professional or computer-based CD recorder.
Stereophile  |  Jan 20, 1998  |  162 comments

It's not easy being an audiophile. Once you finally get that perfect (or near-perfect) pair of speakers, you've got to find a good location for them in your room, along with your other furniture. Did you build your room around your stereo, or do you prefer your stereo to fit into your mixed-use room?

How do you have your audio system set up in your listening room?
I have a dedicated listening room
23% (82 votes)
I changed the layout of my room to favor the audio system
42% (151 votes)
It's a constant struggle between good sound and functional living
33% (118 votes)
An audio system is better heard and not seen
3% (9 votes)
Total votes: 360
Jon Iverson  |  Jan 18, 1998  |  0 comments
It gets tougher every year to cover a show like the CES. Dropping in on most of the high-end audio rooms at the Alexis Park isn't so bad---the hard part is getting to all the various splinter exhibits scattered around Las Vegas within the allotted four days.
Stereophile Staff  |  Jan 18, 1998  |  0 comments
The Public Broadcasting Service (PBS) and Warner Bros. Records announced January 8 that they have entered into a five-year record and television program funding partnership. The arrangement launches the PBS Records label, a new venture that will fuel the production of PBS performance programs and companion recordings. In addition, PBS Records will present music soundtracks from major PBS nonfiction series.

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