LATEST ADDITIONS

When audiophiles speak of "imaging," they may not be using the term metaphorically. Recent research at the University of California at San Diego's School of Medicine indicates that hearing and vision are more closely related than had been previously thought.

Last week's Comdex convention in Las Vegas showcased more examples of convergence between the consumer electronics and computer industries, especially in the areas of portable devices, home theater, and digital audio. DVD-Audio also received notice at the show, as chip developer Zoran Corporation announced the Vaddis V, its latest DVD multimedia processor, slated for mass production in spring 2001.

In the early days of digital audio, I remember talking with Dr. Tom Stockham, the developer of the groundbreaking Soundstream system used then by Telarc. As well as using a 50kHz sample rate, the excellent-sounding Soundstream stored its 16-bit data on large drum-shaped Winchester drives connected to a minicomputer. Twenty years later, the advent of ultra-high-density magnetic storage media and fast microprocessor chips has put high-resolution digital audio manipulation and storage within reach of anyone with a modern PC or Mac. And facilitating the transformation of the PC into a high-quality DAW has been a new generation of soundcards, such as the Digital Audio Labs CardDeluxe I reviewed in September 2000 and the subject of this review, the German RME Digi96/8 Pro.

In his very English way, Sony's then managing director for the UK, Tim Steele, was getting a touch, er, desperate. His oh-so-cultured voice rose a smidgen as he resorted to a direct selling of the benefits of what he was talking about. "Look, you're all sitting on riches," was his fundamental pitch. "You can sell music-lovers your entire back catalog all over again—at a higher price!"