In what is a first for this reporter but surely not for the brand, Yamaha brought a number of choice components to Chicago, presented by Yamaha marketing manager Rebecca Lynn (above) and several employees from Yamaha Japan.
It's a rare occurrence when this hi-fi reporter experiences sonic serendipity, so when it strikes, I'm all in from the downbeat. Such was my good fortune with my first AXPONA assignment of the day, covering the hallowed sound room presented by Nashville's AXISS Audio.
AXPONA (Audio Expo North America), the largest audio show in North America, will get underway April 1416 in the Renaissance Schaumburg Hotel & Convention Center in the Chicago suburbs. As exhibitors begin the often challenging task of assembling their gear, Jim Austin, Ken Micallef, Michael Trei, Rogier van Bakel, et moi prepare ourselves for the discoveries that lie ahead.
It began with a bad outlet. Perhaps two weeks after my husband and visiting friend created several delightful holiday light displays in the living room, one of the living room outlets died. Every time I tried to plug in part of the light show, it, along with the living room sound system and reading lights, lost power. If the Grinch didn't exactly steal Christmas, he sure tried to guarantee it would arrive silently under the cover of darkness.
I moved fast. Distributor Wynn Wong would arrive from Toronto in less than a month, to install two Serbian-made Karan Acoustics POWERa monoblocks ($106,000/pair) for review. These monoblocks weigh an astounding 231lb each, with a shipping weight of 286lb; each contains two 2700VA toroidal transformers and a 210,000µF bank of custom capacitors. Each monoblock requires two 15A power cables, one for each amplifier stage.
This month's music feature, by Mike Mettler, is an interview with John Doe, best known as cofounder, in 1977, of the legendary punk band X. During X's long recording career, Doe's urgent voice has offset the starkly contrasting voice of colead vocalist (and songwriting partner) Exene Cervenka, who was Doe's girlfriend before she joined the band; it's one of the most recognizable sounds in punk. Over 45 years, X has continued to record (sparingly) and to evolve, from the literate punk of Los Angelesto me one of the great albums ever, in any genrethrough Wild Gift, which leans toward country, to Under the Big Black Sun, which went in several directions at once: rockabilly, funk, folk, pop, and beyond.
At the beginning of this century, when the vinyl resurgence was at best nascent and few believed it would be as strong as it is today, Boulder Amplifiers manufactured a phono preamplifier that cost $29,000. I reviewed that model, the 2008 (now discontinued), in the July 2002 issue. With a power supply that would probably be more than adequate for a high-wattage power amp, it was built to a standard approached by few other makers of phono preamps...
With his lines of power amplifiers and preamplifiers well established, Dan D'Agostinothe founder, CEO, and chief designer of the company that bears his nameset about designing a phono preamplifier.
Stereophile has favorably reviewed many NAD amplifiers over the decades. One of the most recent was the Master Series M10 class-D streaming integrated amplifier, which I purchased to use as my daily driver after I reviewed it in January 2020. The M10's price included a free license for Dirac Live low-frequency room equalization, which I found invaluable with my long-term reference standmounts, the KEF LS50s. So when I learned that NAD was introducing a 50th Anniversary integrated amplifier, the C 3050 LE, which also included Dirac Live, I asked for a review sample.