LATEST ADDITIONS

Stereophile Staff  |  Dec 10, 2024
Dynaudio and Innovative Audio invite you to join us on Thursday, December 12, 2024 for an evening of music and the introduction of some exciting new Dynaudio products at Innovative’s final ‘Meet the Innovators’ event of 2024, ‘Dynaudio: From Heritage to Confidence’. The event takes place at Innovative Audio Video Showrooms in NYC.

Mark Henninger  |  Dec 12, 2024
A new UK-manufactured turntable line has appeared and it is set to reach listeners in the United States through Sierra Sound. The product is known as the TT-Hub, developed by Connected Fidelity, a company led by industry figure Michael Osborn, who has experience in acoustic isolation and related products for high-fidelity audio.

According to Sierra Sound, this distribution agreement marks the arrival of a design the manufacturer characterizes as entirely original. Connected Fidelity—as stated on its website and in related materials—focuses its engineering on addressing various elements of resonance control and isolation in audio playback.

Jim Austin, Jason Victor Serinus, Stephen Francis Vasta  |  Dec 12, 2024
Ives Denk: The Violin Sonatas; The Piano Sonatas; Mendelssohn: Piano Trios 1–2; Schoenberg: Pelleas und Melisande; Verklärte Nacht; Sibelius: Violin Concerto•Serenades•Humoresques•Earnest Melodies•Suite; Brian Baumbusch: Polytempo Music.
Mark Henninger  |  Dec 12, 2024
German high-end audio manufacturer T+A elektroakustik has introduced its Pulsar S 130 loudspeaker, which the company says is part of an ongoing modernization of its speaker offerings. According to T+A, this model integrates technologies and design concepts from its higher-level Solitaire and Criterion series speakers, and is priced at $7490/pair.
Thomas Conrad  |  Dec 12, 2024
Weird Of Mouth: Weird of Mouth; Andrew Hill Sextet Plus Ten: A Beautiful Day, Revisited; Ross McHenry: Waves.
Phil Brett, Ray Chelstowski  |  Dec 12, 2024
Rex Orange County: The Alexander Technique; Still House Plants: If I Don't Make It, I Love U; Hinds: Viva Hinds.
David Fisher  |  Dec 10, 2024
This article is not about Seattle band The Head and the Heart (above). But read on . . .

Movie characters pondering momentous decisions are sometimes subjected to a raging debate between an imaginary angel on one shoulder and an imaginary devil on the other. Think of Larry "Pinto" Kroger deciding whether to take advantage of his passed-out-drunk date during the infamous Animal House toga party.

Audiophiles, too, are often pulled in opposite directions. But instead of angel's wings or devil's horns, our imaginary duelists are decked out in T-shirts, one with a logo that says "digital," the other with a logo that says "analog." Or tubes and transistors. Or that old favorite, Everything Matters vs Expensive Cables are Snake Oil.

I won't presume to adjudicate these perpetual rhubarbs, but I will confess to facing a battle of my own, waged between the Head and the Heart.

Sasha Matson  |  Dec 08, 2024
On Thursday, December 5, 2024, Miles Davis came back to New York City. Miles was escorted by Acoustic Sounds' Chad Kassem. This "from beyond the grave" appearance was one of the most memorable listening sessions I have ever experienced. Kassem previewed for us his Analogue Productions' issue Miles Davis—Birth of the Blue (Sony/Columbia APJ 172, 2024). The release date is set for December 13th. on 180-gram vinyl and SACD.
Stereophile Staff  |  Dec 07, 2024

Register to win a pair of Chesky Audio LC1 Bookshelf Monitor speakers (MSRP $996) Stereophile is giving away.

Introducing the LC1 Bookshelf Monitor – Bringing Hi-End Audio to New Audiences. The Ultimate Hi-Fi Bookshelf Speaker, crafted to set a new standard in sound quality. Using a high density polymer cabinet, the LC1 embodies the sound of a speaker 10 times its size. Amaze yourself with this ultimate listening experience.

Alex Halberstadt  |  Dec 05, 2024
I have a day job at a museum. One of my favorite things about working there is taking the elevator from my office down to one of the floors open to the public; I walk into the galleries through a discreet panel in the wall. This makes me feel like I'm in one of those horror-movie manors with a tunnel concealed behind a bookshelf. Sometimes I startle people, which I kind of enjoy.

Mostly I like spending time looking at art, especially in the early mornings when the galleries are empty. Lately, I've been watching art handlers hanging a roughly 100'-long tapestry depicting some manner of planetary jetsam—or maybe they are aquatic plants—by Nigerian artist Otobong Nkanga. And I make regular trips to a small theater to watch mesmerizing footage of Orchard Street in working-class lower Manhattan, shot in 1955 by veteran filmmaker Ken Jacobs. Captured on warm, saturated 16mm film, the long-gone people on the screen appear as vividly alive as the museumgoers around me.

My favorite-ever thing at the museum, though, is a life-sized kitchen. Austrian architect Grete Lihotzky designed it for a Frankfurt housing complex in 1927.

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