Columns Retired Columns & Blogs |
Tallis' MOTET FOR 40 VOICES. It was written for eight groups of five singers, possibly surrounding the listeners. Perfect for surround?
With all of the new SACD and DVD-Audio surround-enabled hardware finally coming out, we have to wonder what you'll really want to do with all of those extra channels. What piece of music do you think is especially suited to five or six channels?
I don't mind sound shooting at me from all directions during a movie, but have no interest in sitting in the middle of an orchestra or jazz combo during a concert or gig. Anyway, my favorite classical music is chamber music, which seems REALLY unsuited to being played from all around you.
I would like to see what modern artists such as Nine Inch Nails, U2, and, especially, Radiohead can do with these new audio formats. Perhaps they can do for multi-channel what the Beatles did for two channel(one can hope anyway).
What piece of music do I think is suited to multichannel? Does what I, or we, think make any difference? I'm sure that the folks in control of such decisions will see to it that there will be CD bins full of Molly Hatchet and BTO crap and that any real artist will continue to be overlooked. I'll be buying music based on my tastes and not on a new release of Peter Frampton Live in DTS or any other multichannel surround format. Let's hope that guys like Joe Harley make a push for the audiophile/real music-lover.
I hate the idea of surround. Two channel audio is expensive enough without having to worry about five! Sounds like another marketing gimmick to get people to move into home theater and to have more people in the home theater crowd accept the new formats. Use the space on the disc for a high quality 24-bit/192kHz two-channel audio signal and throw the rest of the channels away. Let the consumer actually have a real digital out (24/96 or 24/192) instead of the downsampled 16/44.1.