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There Lies the Disc, the making of the new Cantus CD There Lies The Music
Sidebar 1: There Lies The Music
There Lies the Home | Track Listing Total Time: 70:23 | |
"Prelude (Before Dawn)"* | Edie Hill (2005) | 1:16 |
"Sea Fever" | Amy Beach (1931) | 3:04 |
Words by John Masefield | ||
with Charles Kemper, piano | ||
"Break, Break, Break"* | Brian Arreola (1998) | 2:41 |
Words by Alfred, Lord Tennyson | ||
with Mira Frisch, cello | ||
Songs of the Sea, Op.91 | Charles Villiers Stanford (1904) | |
Words by Henry Newbolt; Kelvin Chan, | ||
solo baritone; with Charles Kemper, piano | ||
"Drake's Drum" | 3:11 | |
"Outward Bound" | 2:49 | |
"Devon, O Devon" | 1:59 | |
"Homeward Bound" | 5:42 | |
"The Old Superb" | 3:41 | |
"Jonah's Song" | Peter Schickele (1980) | 2:10 |
Words by Herman Melville (from Moby-Dick) | ||
"Shenandoah" | Sea Chanty, arr. Bartholomew (1927) | 3:55 |
"Lowlands" | Sea Chanty, arr. Parker & Shaw (1963) | 4:36 |
Alan Dunbar, solo baritone | ||
Muistse mere laulud | Veljo Tormis (1979) | 10:22 |
Brian Arreola & Gary Ruschman, solo tenors | ||
Incantatio maris aestuosi | Veljo Tormis (1996) | 7:42 |
Words from the Kalevala; with the assembled | ||
civic dignitaries of Sioux Falls, whistles | ||
"The Wreck of the Edmund Fitzgerald" | Gordon Lightfoot, arr. Alan Dunbar (1999) | 5:39 |
Alan Dunbar, solo baritone, acoustic guitar; | ||
with Mira Frisch, cello | ||
"Valparaiso" | Sting (1996), arr. Timothy Takach (2004) | 4:00 |
"A True Heart Is Waiting"* | Edie Hill (2004) | 7:40 |
Words by L.M. Montgomery | ||
* World premiere recordings |
Cantus: Brian Arreola, Bradley Cramer-Erbes, Michael Hanawalt, Albert Jordan, Gary Ruschman, Pete Zvanovec, tenors; Kelvin Chan, Alan Dunbar, Adam Reinwald, baritones; Tom McNichols, Tim Takach, basses.
Recording Venue: The Great Hall, Washington Pavilion of the Arts and Sciences, Sioux Falls, South Dakota
Recording Dates: June 20–24, 2005
Production: Erick Lichte
Engineering, Editing, Mixing, Mastering: John Atkinson
CD Package and Booklet Design: Timothy C. Takach
Funding for this recording was generously provided by Josephine Iserman (in memory of Vern Iserman), Robert Marshall, Beth Swailes, and an anonymous donor.
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