Stereophile's Products of 1998 Joint Digital Sources of 1998

Joint Digital Sources of 1998

Meridian 508.24 CD player ($2995, reviewed by Wes Phillips, Vol.21 No.5, May 1998 Review)
Z-Systems RDP-1 digital preamplifier/equalizer ($5000, reviewed by Kalman Rubinson, Vol.21 No.7, July 1998 Review)

Finalists (in alphabetical order):
Audio Research CD2 CD player ($3495; reviewed by Wes Phillips, Vol.21 No.4, April 1998 Review)
Balanced Audio Technology VK-D5 CD player ($4500; reviewed by Jonathan Scull & John Atkinson, Vol.21 No.5, May 1998 Review)
Bow Technology ZZ-Eight CD player ($7500; reviewed by Michael Fremer, Vol.21 No.8, August 1998 Review)
Krell KAV-300cd CD player ($3500; reviewed by Wes Phillips, Vol.21 No.4, April 1998 Review)
Mark Levinson No.39 CD player ($5995; reviewed by Wes Phillips, Vol.21 No.4, April 1998; John Atkinson, Vol.21 No.5, May 1998 Review)
Naim CD 3.5 CD player ($2150; reviewed by Wes Phillips, Vol.21 No.7, July 1998 Review)
Rega Planet CD player ($795; reviewed by John Atkinson, Vol.21 No.2, February 1998 Review)
Sonic Frontiers Transport 3 & Processor 3 ($6999 each; reviewed by Shannon Dickson, Vol.21 No.10, October 1998 Review)
Wadia Digital 850 CD player ($4950; reviewed by John Atkinson, Vol.21 No.5, May 1998 Review)

The voting for Digital Source mirrored the biggest industry trend in the digital arena. 1998 was not a good year for separate CD transports and digital/analog processors, but proved a banner year for single-box CD players (nine of our 11 candidates for Digital Source of 1998 were all-in-one players and the sole separate contender, the Sonic Frontiers pair, was nominated on the basis that it be used via its exclusive I2S datalink). This trend only partially reflects the public's unease over the future of the 16-bit/44.1kHz CD standard as it awaited a DVD-Audio standard; far more significant was the widespread availability of standalone players capable of performance rivaling that of the finest separates offered just a few years before—players like the Meridian 508.24. The Meridian extracts slam, presence, and a remarkable amount of detail from CD, and our correspondents were justifiably enthusiastic about it.

They were also excited by the Z-Systems RDP-1 digital preamplifier/equalizer—a product category that didn't even exist a few years ago, but that will prove most significant in the future. The RDP-1 is flexible and functional; not only does it serve as a digital preamplifier (it accepts only S/PDIF or AES/EBU digital data sources), it is also a transparent and powerful parametric equalizer capable of unobtrusively compensating for shortcomings in loudspeakers and source material alike. "The tone control for the digital age," Kal Rubinson called it, and our correspondents agreed.

COMMENTS
Anton's picture

He was the audio-review pioneer of commentary via paragraph title.

Some classics....

"Wire we talking about this?"

"Beating against the bars of the cage of form"

"Mr. Polk, are you trying to seduce me?"

A killer title for a conclusion paragraph..."A panegyric untainted by poppy"

Dang, I miss Wes.

John Atkinson's picture
John Atkinson wrote:
Z-System's RDP-1 is my 1998 Editor's Choice. With its transparent control of tone, it points to a future in which audiophiles can eat their cake and have it too.

I bought the review sample of the RDP-1 and subsequently had it updated to handle data sampled at 88.2kHz and 96kHz. It's still in the rack but with my playback of digital audio now happening over the network with Roon and my PS Audio DirectStream DAC, it only very occasionally sees action.

John Atkinson
Technical Editor, Stereophile

Kal Rubinson's picture

The RDP-1 is the product that convinced me of the value and efficacy of DSP.

Robin Landseadel's picture

"Designing great-sounding gear is no simple matter no matter how much you spend, but it's doubly impressive when the product is available at a bargain price."

Guess that one went out the window.

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